Showing posts with label The IRA on Film and Television. Show all posts
Showing posts with label The IRA on Film and Television. Show all posts
Tuesday, November 15, 2016
Interview with Mark Connelly, Author of Wanna-be's
Mark Connelly was born in Philadelphia and grew up in New Jersey. He received a BA in English from Carroll College in Wisconsin and an MA and PhD from the University of Wisconsin-Milwaukee. His books include The Diminished Self: Orwell and the Loss of Freedom, Orwell and Gissing, Deadly Closets: The Fiction of Charles Jackson, and The IRA on Film and Television. His fiction has appeared in The Ledge, Indiana Review, Cream City Review, Milwaukee Magazine, and Home Planet News. In 2014 he received an Editor’s Choice Award in The Carve’s Raymond Carver Short Story Contest; in 2015 he received Third Place in Red Savina Review’s Albert Camus Prize for Short Fiction. His novella Fifteen Minutes received the Clay Reynolds Novella Prize and was published by Texas Review Press in 2005.
Connect with Mark on Facebook and Twitter.
Can you tell us a bit about yourself?
I have been teaching college English and writing books for thirty years. I have published college textbooks and written books about George Orwell, Saul Bellow, and the Irish Republican Army. My short stories have appeared in Indiana Review, Cream City Review, The Ledge, Home Planet News, and Digital Papercut. In 2014 I received an Editor’s Choice Award in Carve Magazine’s Raymond Carver Short Story Contest. In 2015 I received Third Place in Red Savina Review’s Albert Camus Prize for Short Fiction. In 2005 Texas Review Press published my novella Fifteen Minutes, which received the Clay Reynolds Award.
Where did you grow up?
South Jersey and later North Jersey.
What is your fondest childhood memory?
Reading Robert Louis Stevenson’s poem “Block City.” Unlike other poems and stories, it was interactive. I, too, had blocks and saw that like the poet I could use the sofa for mountains and the carpet for the sea. Following the lines in the poems, I used my blocks to make a castle. That day made a connection between reading and reality that stuck with me.
When did you begin writing?
I started writing poems and stories in high school and began getting works published in college in various literary quarterlies and small magazines. Duquesne University Press published my dissertation about George Orwell, and I have published other books of literary criticism. Fiction remains my first love, and I am working on several novels.
Do you write during the day, at night or whenever you can sneak a few moments?
I write first thing in the morning when I am fresh. Later in the day I read, conduct research, answer email, and revise.
What is this book about?
Wanna-be’s is a social satire, a sendup of race, gender, and identity politics, along with a metaphorical tale of a modern-day Icarus. With his new girlfriend – a soccer mom with a taste for bondage – urging him to “go condo,” failed screenwriter Winfield Payton needs cash. Accepting a job offer from a college friend, he becomes the lone white employee of a black savings and loan. As the firm’s token white, he poses as a Mafioso to intimidate skittish investors and woos a wealthy cougar to keep the firm afloat. He bumbles and stumbles through a series of misadventures involving Yuppies and militants, Muslims and Jews, blacks and whites, gays and straights.
What inspired you to write it?
The politically-correct talking heads on cable news always nudge me into wanting to capture them in satire.
Who is your biggest supporter?
My biggest supporter so far has been the first reviewer on Amazon. Her review summarized the book better than I could have:
This book right here! What can I say about Winfield Payton...is he the most unlucky pasty or most unlikely fall guy...what a schmuck...I laughed so hard at this, for this guy....with this guy....every character described in this book will immediately remind you of a real life joker in the in the 24 hour news cycle on all of the Major networks and cable television channels regurgitating skewed facts benefiting them and lining their pockets....it's hip and fresh writing which could easily become a HBO series....
Are you a member of a critique group? If no, who provides feedback on your work?
So far most reviewers have caught my jokes and shared my delight in being politically incorrect.
Who is your favorite author?
Saul Bellow. I read everything he wrote to publish Saul Bellow: A Literary Companion earlier this year.
Do you have an agent or are you looking for one?
I am definitely looking for an agent to handle my fiction. I have published a dozen non-fiction books. I meet non-fiction editors at academic conventions and pitch my books face to face and have established long-term relationships with two publishers, both of whom have published four of my books. But I have had a harder time marketing my novels. I am seriously seeking an agent interested in representing a range of literary novels.
Was the road to publication smooth sailing or a bumpy ride?
The first chapter “Insignificant Others” was published two years ago in The Great American Literary Magazine. I decided to experiment and self-publish it. I thought it might do well on Amazon.
Where can readers purchase a copy of your book?
Wanna-be’s is available in Kindle and print on Amazon:
https://www.amazon.com/Wanna-Bes-Mark-Connelly-ebook/dp/B01FJAQWE8
Do you have a website and/or blog where readers can find out more?
The Amazon site features Look Inside, so readers can sample the first chapters. I hope they find Winfield Payton interesting enough to want to read more.
Do you have a video trailer to promote your book? If yes, where can readers find it?
I did not develop a book trailer for this book. I have one on YouTube for another book, The IRA on Film and Television.
What is the best investment you have made in promoting your book?
The best investment is promoting a book online by hiring a professional publicist who best knows which reviewers and bloggers might find the book interesting.
What is one piece of advice you would like to share with aspiring authors everywhere?
Read your work aloud to hear the words, especially dialogue.
What is up next for you?
I am completing a novel called Newman’s Choice. Three chapters have been published as short stories, two of which received awards. Robert Newman is a man struggling with choice. A rising young attorney, he destroyed his life, career, and reputation in a single night. After celebrating a big win for his firm, he drove drunk and slammed into a car, killing two college girls. After eight years in
prison, he is on parole, living in a halfway house. Making ten dollars an hour teaching GED classes, he has no car, no cell phone, no computer. He is resigned to a life of self-denial and self-imposed
poverty when another incident, captured on video, goes viral and thrusts him into a new series of choices.
Sunday, September 30, 2012
Book Review: The IRA on Film and Television by Mark Connelly
A fascinating look into the history of the Irish Republican Army and how it has been portrayed on film and television awaits you in The IRA on Film and Television by Mark Connelly.
With the IRA appearing in more than eighty motion pictures, it has a unique cinematic presence. Dedicated to unifying its homeland and ending British rule in Northern Ireland, this secret organization has led to the creation of films in a variety of genres starring well-known actors such as Liam Neeson, Robert Mitchum, Brad Pitt, Mickey Rourke, James Cagney, and Anthony Hopkins. Connelly, a multi-published author and teacher of literature and film, shares his wealth of knowledge with an academic style that propels the reader to want to know more.
The IRA on Film and Television is an excellent resource for students, as much as an engaging look into the portrayal of the IRA on film and television for the casual reader. Whether portrayed as a justified political hero-warrior, an evil psychopath, or a lost, lonely wanderer, this medium has given a face to members of the IRA and their struggles. The book delves into how different countries portray the IRA in films. It explores classics such as John Ford's The Informer and Carol Reed's Odd Man Out, but also more recent films such as The Devil's Own and television shows such as HBO's Boardwalk Empire.
What I found most fascinating about the book is its discussion on the history of the IRA. For someone like me with limited knowledge of the organization or the conflict, The IRA on Film and Television provided a wealth of information, in addition to giving me a reason to rethink some of the films I thought I knew so well. There are instances where the organization is not named or the focus truly isn't on the struggle as much as it is on an individual's story, so the connection might not have been clear before.
Perhaps the most interesting aspect of the book for me was a small portion found on pages 167 and 168, titled "The 9/11 Effect." This looks at the unintended but profound consequences that the attacks on the World Trade Center had for the IRA. The final pages of the book provide a chronology of historical events, filmography, and list of television shows.
I would highly recommend The IRA on Film and Television to anyone looking to know more about the IRA and its history, in addition to those interested in the making of films about this secret organization. The author's website, found at http://www.theiraonfilmandtelevision.com, has information that can help you learn more about the book and decide if it's right for you.
Paperback: 273 pages
Publisher: McFarland (April 25, 2012)
Language: English
ISBN-10: 0786447362
ISBN-13: 978-0786447367
Paperback: $55
Kindle version: $20.99
I received a free copy of this book from the author. This review contains my honest opinions for which I have not been compensated in any way.
This is the 47th book I've read for the following challenge:
With the IRA appearing in more than eighty motion pictures, it has a unique cinematic presence. Dedicated to unifying its homeland and ending British rule in Northern Ireland, this secret organization has led to the creation of films in a variety of genres starring well-known actors such as Liam Neeson, Robert Mitchum, Brad Pitt, Mickey Rourke, James Cagney, and Anthony Hopkins. Connelly, a multi-published author and teacher of literature and film, shares his wealth of knowledge with an academic style that propels the reader to want to know more.
The IRA on Film and Television is an excellent resource for students, as much as an engaging look into the portrayal of the IRA on film and television for the casual reader. Whether portrayed as a justified political hero-warrior, an evil psychopath, or a lost, lonely wanderer, this medium has given a face to members of the IRA and their struggles. The book delves into how different countries portray the IRA in films. It explores classics such as John Ford's The Informer and Carol Reed's Odd Man Out, but also more recent films such as The Devil's Own and television shows such as HBO's Boardwalk Empire.
What I found most fascinating about the book is its discussion on the history of the IRA. For someone like me with limited knowledge of the organization or the conflict, The IRA on Film and Television provided a wealth of information, in addition to giving me a reason to rethink some of the films I thought I knew so well. There are instances where the organization is not named or the focus truly isn't on the struggle as much as it is on an individual's story, so the connection might not have been clear before.
Perhaps the most interesting aspect of the book for me was a small portion found on pages 167 and 168, titled "The 9/11 Effect." This looks at the unintended but profound consequences that the attacks on the World Trade Center had for the IRA. The final pages of the book provide a chronology of historical events, filmography, and list of television shows.
I would highly recommend The IRA on Film and Television to anyone looking to know more about the IRA and its history, in addition to those interested in the making of films about this secret organization. The author's website, found at http://www.theiraonfilmandtelevision.com, has information that can help you learn more about the book and decide if it's right for you.
~ ~ ~ KINDLE FIRE HD GIVEAWAY ~ ~ ~
Pump Up Your Book and Mark Connelly are teaming up to give you a chance to win a Kindle Fire HD!
Visit http://www.pumpupyourbook.com/2012/08/27/pump-up-your-book-presents-the-ira-on-film-and-television-virtual-book-publicity-tour-kindle-fire-giveaway/ for details on how you can enter for your chance to win!
Paperback: 273 pages
Publisher: McFarland (April 25, 2012)
Language: English
ISBN-10: 0786447362
ISBN-13: 978-0786447367
Paperback: $55
Kindle version: $20.99
I received a free copy of this book from the author. This review contains my honest opinions for which I have not been compensated in any way.
This is the 47th book I've read for the following challenge:
Wednesday, September 12, 2012
WWW Wednesdays - September 12th
To play along, just answer the following three (3) questions…
• What are you currently reading?
• What did you recently finish reading?
• What do you think you’ll read next?
My answers:
What are you currently reading?
I recently started The IRA on Film and Television by Mark Connelly. It's very academic and filled with tons of information. I'm enjoying it so far, but it's a slow read.

For fun, I am also reading Farmer Boy Goes West by Heather Williams. Meant to be a sequel to Laura Ingalls Wilder's Farmer Boy, this tells the story of Almanzo Wilder's visit to Spring Valley, Minnesota with his parents, younger brother, and older sister, Alice. The Wilders would eventually leave New York and settle in Spring Valley.
What did you recently finish reading?
I just finished The Deliverer by Kathi Macias. This is the third and final book in her Freedom Series. This is a powerful book, as are the first two books in this series that deals with the topic of human trafficking. I highly recommend them.
What do you think you’ll read next?
Attorney-Client Privilege by Pamela Samuels Young is probably next. I'm due to review it next month. I've read other legal thrillers by this author and loved them. When I heard she was going on tour again, I signed up right away.
Here's the synopsis:
A brutal murder, missing documents and an unscrupulous opposing counsel lead attorney Vernetta Henderson on a quest for justice—and ultimately—revenge. The hotshot L.A. lawyer takes on a corporation with a long history of discriminating against women. While Vernetta simply wants justice for her clients, the corporation’s hired gun wants to win . . . and she doesn’t care how. On the home front, Vernetta’s infamous sidekick Special has finally found true love. But is the price more than she’s willing to pay?
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