Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts

Tuesday, June 16, 2015

First Chapter Review: Genius de Milo by Russ Colchamiro



I viewed the first chapter of the sci-fi comedy Genius de Milo by Russ Colchamiro from the Pump Up Your Book website.

BLURB:  Best pals Jason Medley and Theo Barnes barely survived a backpacking trip through Europe and New Zealand that — thanks to a jar of Cosmic Building Material they found — almost wiped out the galaxy. But just as they envision a future without any more cosmic lunacy:

The Earth has started fluxing in and out of existence, Theo's twin girls are teleporting, and Jason can't tell which version of his life is real.

All because of Milo, the Universe's ultimate gremlin.

Joined by the mysterious Jamie — a down-and-out hotel clerk from Eternity — Jason and Theo reunite on a frantic, cross-country chase across America, praying they can retrieve that jar, circumvent Milo, and save the Earth from irrevocable disaster.

In author Russ Colchamiro’s uproarious sequel to Finders Keepers, he finally confirms what we've long suspected — that there’s no galactic Milo quite like a Genius de Milo.

COVER: Love the colors on this one. It picks up the whimsy of something comedic while staying true to its sci-fi genre. It confused me a bit because I wasn't sure if this was a kid's book based upon the cover, but I really like it,

FIRST CHAPTER: Brigsby is drinking a snifter of chocolate milk and watching an episode of LOST when the TV flickers. He and Lawrence have a lively conversation, but Brigsby would prefer to wait until tomorrow to deal with Milo and his antics.

KEEP READING: Sure. It's not my usual fare, but my interest is piqued. The banter between Brigsby and Lawrence is witty enough and I really want to know exactly who Milo is and what he's after. I would also like to meet Jason and Theo to learn how they play into all of this.

Title: Genius De Milo
Author: Russ Colchamiro
Publisher: Crazy 8 Press
Pages: 320
Genre: SciFi/Comedy
Format: Paperback/Kindle

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This review contains my honest opinions, which I have not been compensated for in any way.


Wednesday, June 3, 2015

Interview with Russ Colchamiro, Author of Genius De Milo

Russ Colchamiro is the author of the rollicking space adventure Crossline, the hilarious scifi backpacking comedy Finders Keepers, and the outrageous sequel, Genius de Milo, all with Crazy 8 Press.

Russ lives in West Orange, NJ, with his wife, two children, and crazy dog, Simon, who may in fact be an alien himself. Russ is now at work on the final book in the Finders Keepers trilogy.

As a matter of full disclosure, readers should not be surprised if Russ spontaneously teleports in a blast of white light followed by screaming fluorescent color and the feeling of being sucked through a tornado. It’s just how he gets around — windier than the bus, for sure, but much quicker.

His latest book is the science fiction novel, Genius De Milo.
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Can you tell us a bit about yourself? 

I’m married with four-year-old twins – my little ninjas. A boy and a girl. We were living in Queens, NY, until about 18 months ago, and now we live in West Orange, NJ, so it’s back to the suburbs. And I’ve got a birthday coming up – 44 in May. Yikes. How did that happen?

Where did you grow up?

I was born in Hempstead, but grew up mostly in Merrick, both on Long Island.

What is your fondest childhood memory?

One great memory I have is a picnic I went to when I was about nine or so – I believe at Eisenhower Park on Long Island. I went with a friend of mine, someone I’m still friends with today. We ate corn on the cob and sausages and watermelon, and I hit a home run in softball where I slid under the tag at home plate. I’m not actually sure if I was safe or not, but the call went my way, so it was awesome.

That was a good day.

When did you begin writing?
I started tinkering with stories as early as the 4th grade, got serious for a while in high school, and then again in college. By the time I was in my mid-late 20s I started throwing myself into it full bore. I also became a journalist along the way, so I’ve been writing my entire adult life.

Do you write during the day, at night or whenever you can sneak a few moments?

Predominantly at night, after my kids go to bed. I used to write early in the morning, but since I became a dad, that’s not really possible.

What is this book about?

My debut novel Finders Keepers is loosely based on a series of backpacking trips I took through Europe and New Zealand, set against a quest for a jar that contains the Universe's DNA.
My newest book, Genius de Milo, is the second book in the trilogy, where our bumbling backpacking heroes Jason Medley and Theo Barnes are once again tasked with retrieving a radioactive jar filled with the Universe’s DNA … before it wipes out the galaxy.
Genius de Milo (and Finders Keepers) is for fans of authors such as Douglas Adams, Terry Pratchett, and Christopher Moore, and movies and TV shows such as Harold & Kumar, Bill & Ted, Hot Tub Time Machine, Time Bandits, Quantum Leap, Groundhog Day, Northern Exposure, and Third Rock from the Sun.
And whereas Finders Keepers was set predominantly in Europe and New Zealand, the action in Genius de Milo has shifted mostly to the U.S. And, of course, there's lots going on in Eternity, the 'cosmic' realm where the Universe is created.
So for Genius de Milo, think Midnight Run meets Hitchhiker's Guide to the Galaxy


What inspired you to write it?                                             

It’s the second book in the series, which wasn’t always inevitable. When I wrote Finders Keepers, in my mind it was a single, stand-alone novel. But I left it open-ended in case I thought of something later.

Which I did!

But I wrote Genius de Milo with the understanding that it needed to work on three levels: as a satisfying, self-contained novel that new readers can enjoy even if they haven’t read Finders Keepers; as the second novel in the Finders Keepers trilogy that both continues and enhances the overall narrative and individual story arcs; and structurally as a lead-in to the final, upcoming novel that will conclude the trilogy.

Who is your biggest supporter?

My wife. Her total faith in me makes it easier to keep on going, even when it’s difficult. She gives me my space to do what I need to do.

Are you a member of a critique group? If no, who provides feedback on your work?

I used to belong to critique groups –- including one I started and ran -– but they really don’t work for me, because as a novelist I want feedback all at once on the entire manuscript. Unfortunately, that’s pretty much unworkable when you are sharing the group time among various writers.

Instead I work with 2 or 3 trusted beta readers who give me the kind of feedback I need. Two of them are great at calling b.s. on me whenever something doesn’t seem to work, make sense, or has gaps in logic. Another is great about structure and pacing. And then I hire an excellent copy editor to go through the manuscript line by line, word by word, to make sure there are no spelling mistakes, bad grammar, etc.

If you’re getting feedback like, “I like that,” or “I didn’t like that,” or “you’re great,” then to me it’s not helpful. I need –- and believe what all writers need –- is specific, technical notes that go towards a clean, tight manuscript.

Nothing wrong with getting some cheerleader-type feedback, but if that’s all you’re getting, it will be very difficult to improve your manuscript, or as a writer.

Who is your favorite author?

My favorites include Kurt Vonnegut and David McCullough, but if I had to pick just one I’d say Christopher Moore. To my mind he’s the consistently funniest author of our generation. If we’re including all fiction writers I’d add comic book creators Alan Moore, Kurt Busiek, and Frank Miller in his prime.

Do you have an agent or are you looking for one?

I had an agent, but with the shift in the industry it hasn’t been as necessary for me to work with one. I’m open to working with my agent again –- or a new agent –- but for the time being I don’t feel any pressure to go that route.

Was the road to publication smooth sailing or a bumpy ride?

When I published Finders Keepers in October 2010 … I didn’t know it then, but it was right before e-books took over the market … and also in the middle of what turned out to be the biggest economic downturn in a century. Ouch.

Three different publishers wanted Finders Keepers, but they were gun-shy at the time because of the economy. So I went with a small indie publisher, Three Finger Prints, with success right away.

I was able to land a national distribution contract (uncommon for a first-time author), with Finders Keepers carried by several Barnes & Noble stores throughout the U.S. Finders Keepers also received very supportive write-ups, including one reviewer who said I belong in a group that includes Terry Pratchett, Douglas Adams, and Christopher Moore. I have to say, that was pretty cool.

And then right after Finders Keepers debuted, e-books revolutionized the way readers consume novels, and since then, for authors it’s been a new and ever-changing world. I wound up reprinting Finders Keepers through Crazy 8 Press so that I now have my entire catalogue under one imprint, and control all of the rights.

If you knew then, what you know now, is there anything you would have done differently?

Hell yes! I would have pushed to finish my book about a year earlier -- before I  had my kids! LOL! I also would have done an initial POD print run instead of making a bulk order. I’ve moved a lot of my original copies, but it wasn’t necessary to print so many.

Where can readers purchase a copy of your book?


Do you have a video trailer to promote your book?  If yes, where can readers find it?


What is the best investment you have made in promoting your book?

I hired a terrific illustrator to produce a series of character cards, which you can see here.


I’ve sold many books as a result, particularly when I showcase them at signings.

What is one piece of advice you would like to share with aspiring authors everywhere?

Be clear with yourself about what you hope to accomplish. Writing and then getting published are exciting accomplishments you should be proud of. But selling books is quite another side of things, and there’s no way to know how many – or how few – books you will ultimately sell.

If you are going in with the idea that you’re going to make lots of money, well … I wish you tons of luck. But as they say, don’t quit your day job!

What is up next for you?

I’ll be doing a bunch of signings and appearances this year, while I write the third and final book in the Finders Keepers trilogy, due out in the second half of 2016. I’ll also be contributing a short story to Pangaea, the alternate world anthology from my partners and me at Crazy 8 Press, and was successfully funded through Kickstarter. Pangaea will be out in the fall of 2015.


Thursday, May 8, 2014

10 Tips From A Performance Artist by Scotch Wichmann, Author of Two Performance Artists Kidnap Their Boss and Do Things with Him


Hank and Larry are performance artists in San Francisco's underground performance art scene. But when the mind-numbing grind of their corporate jobs drives them over the edge, they plot the ultimate revenge: to kidnap their company’s billionaire CEO and brainwash him into becoming a manic performance artist.

Fueled by the author's performance art background, Two Performance Artists is a screwball dark comedy about best friends determined to tackle the American Dream with fish guts, duct tape, and a sticky AK-47.

Two Performance Artists is the first performance art novel by a working performance artist, tackling themes like fame, narcissism, and criticism, which are all timely in our "watch me!" age of reality TV, Instagram, and YouTube.

A first-round finalist in the 2013 Amazon Breakthrough Novel Contest, the book straddles several genres—it's a madcap adventure, a pulpy action novel, a caper comedy, and a "bromance" for sure. One early reviewer called it "Office Space meets Fear and Loathing in Las Vegas meets Jackass."

PURCHASE



10 Tips From A Performance Artist by Scotch Wichmann 

I've been doing performance art for 23 years. If you don't know what that is, it just means I've put razor blades in my underwear, snorted lines of shaved mouse fur, chewed broken glass, caressed my face with concrete, sliced myself open with a flying paper bag full of kitchen knives, performed testicle puppet shows...you get the idea. I've performed at galleries, museums, and fringe festivals from L.A. to Scotland, and was even nominated for Best Comedy and Best Stunt at last year's Hollywood Fringe Festival. Not bad.

Performance art basically involves performing your own made-up art form for an audience. It's not like putting on a play; there's no fourth wall, and most performance artists don't "act" like in Drama—they simply present themselves as themselves. Being a made-up art form, ordinary objects can serve any imaginative purpose during a piece. A shoe might become your mother; maybe you learn to smell with your armpit or taste with your elbow; perhaps a randy lemon makes sour love to a hat.

None of this means, however, that performance art is without rules. We're not barbarians! There is a craft to it, which involves mastering your text, bodily movement, use of props, and most of all, your relationship to the audience. And of course, there are performance art clichés to be avoided: wrapping your head in cellophane, for example, putting things up your buttocks, or dousing yourself with paint have been done to death.

The curious thing about performance art is that in the process of mastering your own art's craft, you obtain unique skills, and learn little nuances about the idiosyncratic use of objects, that might not occur to other people—even if they're performance artists themselves.

And so, I wanted to offer up a few tips I've learned along the way, from actual performances I've done, with the hope that they might save you time and effort for your next performance:

1. Hornitos Tequila burns when it runs down your chin, but the bottle's neck is big enough that you can push a 1/2" dildo in there.
2. Wearing underwear filled to the brim with Barbasol shaving cream will cause your private parts to go numb in under 10 minutes.
3. If you make a mess on a gallery floor, consider leaving it behind as sculpture. (But do not try this at home with your wife).
4. Sharpie Permanent Marker comes off knees easily with soap and a loofah. If there's ink on your genitalia, do not use the loofah (unless it is during a performance, in which case, scrub vigorously).
5. If you plan to chew and eat somebody's old tooth, watch out: teeth—even baby teeth—are very hard! Always use your back molars to chew others' teeth.
6. If you need to seal a magnet inside of a black shoelace, cut open the shoelace, slide the magnet in, staple the shoelace shut, then use a marker to color the staples black. This is quicker and less messy than thread or glue.
7. If you need to conceal a 2-pound trout in your pants, wear three pairs of tight underwear; the fish can be sandwiched in-between the two outermost pairs, while the innermost pair protects you from fin cuts. (And to keep the fishy smell down, pack the fish in paper towels overnight; they'll leech out some of the fish's moisture).
8. If you're planning to sit down on thumb tacks, swab them (and your butt) with alcohol first. When the performance is over, pull the tacks out, spray your ass with a numbing agent, and sit on a bag of ice to reduce swelling.
9. Duct tape doesn't stick well when wet. If you're attaching carrots to your fingers, fashioning a gag, taping a record player to a wall where it might get drenched, or trying to seal a seeping wound, aluminum all-weather tape is better.
10. Shoes made out of solid ice are lethally slick, both on the bottom and inside where your feet need to go. To add grip, wet the shoes a little, then layer on bits of fur inside and underneath. Let the ice re-freeze. The fur will give you just enough traction to walk without the shoes slipping or your feet sliding out.

Performance artist SCOTCH WICHMANN was launched into the American art scene 23 years ago with his debut piece, SNORTING MOUSE FUR, and he's been going strong ever since. Nominated with his performance troupe for Best Comedy and Best Stunt at the 2013 Hollywood Fringe Festival, his work has become known for its surrealism, physical endurance, and Dadaist comedy at galleries and fringe festivals around the world.

For more about Scotch, visit:
Website and blog: www.scotchcomedy.com
Twitter: @scotchwichmann
Instagram: instagram.com/scotchwichmann
Facebook: fb.com/scotchcomedy