The wife of a wealthy San Francisco shipping magnate leads a secret life but someone is threatening to expose her. Private eye Sam Slater and his wife and partner, Amelia, meet a mysterious woman in a large red hat during a train trip. The woman approaches him pleading for help because she‘s receiving anonymous notes quoting Bible verses which are becoming more and more ominous with each passing day. Her secrets have been discovered but by whom? What really happens behind closed doors in Room 505 in a swanky downtown hotel?
Sam is willing to take the case but Amelia warns that this woman is nothing but trouble. What does the woman really want? She’s been watching Sam for months and has a scheme to pull him into her world.
Find out in the latest Sam Slater Mystery “San Francisco Nights” set in the fall of 1959. It’s the seventh book in the series but is a heart pounding stand alone whodunit.
Watch the book trailer at YouTube.
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THE GLAMOR GIRLS OF THE SKY
There are no more stewardesses.
The stewardesses on airlines morphed into flight attendants who are both males and females. In the 21st Century flight attendants are the generally congenial people who walk down the aisle of the cramped plane offering you a small cup of soda, an even smaller bag of peanuts and tell you to stow your bags before take-off.
The glamor of air travel has gradually disappeared and most passengers who navigate the extensive security at the airport and then squeeze into the seat on the plane, hardly consider it a glamorous experience.
There is nothing wrong with flight attendants but they are a far cry from the glamor girls of the 1950s and 1960s who were called stewardesses. In Life magazine in 1957, there was a cover picture and featured article called “The Glamor Girls of the Sky.”
The article details the rigorous training and selection process a woman must endure in the hopes of being chosen by the airline to be a stewardess.
The stewardesses of the 1950s and 1960s were something very close to movie stars and were widely admired by men as sex symbols and also were envied by women of the era.
Since she was a small girl Amelia Ryan Slater wanted to be a stewardess. As 1959 comes to a close in my new book San Francisco Nights, Amelia is no longer a stewardess and is a full time partner to her husband Sam in the private eye business. Why? Simple because she got married. The airlines want their “glamor girls” to be young and single.
I found an old job application for stewardesses from the 1950s. The requirements show how far we have come as a society and specifically how far women have come in their quest for equality in the work place.
Here is a laundry list of the requirements for stewardesses. They are:
Appearance: Height and weight proportionate
Attractive ("just belowHollywood
Gender: Female
Martial Status: Single, not divorced, separated or widowed.
Race: White
Age: 21 to 26 years old
Education: Registered nurse or two years of college
Height: Between 5 feet, 2 inches and 5 feet, 6 inches
Weight: 135 pounds maximum
Attractive ("just below
Gender: Female
Martial Status: Single, not divorced, separated or widowed.
Race: White
Age: 21 to 26 years old
Education: Registered nurse or two years of college
Height: Between 5 feet, 2 inches and 5 feet, 6 inches
Weight: 135 pounds maximum
I'm not sure how a woman is supposed to react to the qualification--"attractive, just below Hollywood standards." Is it a compliment or an insult to be told that you are "just below Hollywood standards?" It's astounding to think of a job application which would list the "qualifications" as "white, single, female, a range for height and of course, a weight restriction." The weight restriction was a sliding scale. For instance, the fictional character, Amelia Ryan is 5 feet four inches which means she could only weigh 125 pounds. If a stewardess shows up for a flight above weight, she is grounded.
The airlines wanted pretty young, single women to provide eye candy for their well-heeled passengers who flew--mostly affluent businessmen. Once a woman was over 26 or was married she was asked to resign.
That of course changed.
On
In my novel, stewardess Amelia Ryan falls in love with Sam Slater. They want to get married. But Amelia also loves her job. She has to choose between marriage and continuing as a stewardess. It was a great dilemma for her.
The glamorous world of stewardesses was one of the only avenues open to women in the 1950s to "see the world" and have a career. But it came at a great price. Sam and Amelia are secretly married in Fog City Strangler. They keep their union a secret so she can continue to work for the airline.
In an earlier book in the mystery series--San Francisco Secrets--another challenge rears its head for Amelia--sexual harassment.
A womanizing pilot, Mark Silver, is essentially Amelia’s boss and aggressively pursues her with unwanted sexual advances. There was no such term as “sexual harassment” in the 1950s. As she tried to fight off Capt. Silver, Amelia ponders the avenues she has to protect herself. There are basically none.
Amelia wonders if she goes to the airline to complain about Silver if it will cause her problems, not the pilot. She fears that when she complains about the “sexual harassment,” the airline will just say that “boys will be boys.” Stewardesses routinely had to evade grabby male passengers and the unwanted advances of pilots.
Sam is upset by the groping of Amelia and complains about her work environment saying that if anyone is attracted to my girlfriend they can “take a sample.”
It would be several years before the stewardesses unionized and stood up to the airline. There was a series of lawsuits that knocked down the discriminatory barriers for women.
Greg Messel has spent most of his adult life interested in writing, including a career in the newspaper business. He won a Wyoming Press Association Award as a columnist and has contributed articles to various magazines. Greg lives in Edmonds , Washington Puget Sound with his wife Jean DeFond.
Greg has written ten novels. His latest is "San Francisco Nights" which is the seventh in a series of mysteries set in 1959 San Francisco . "Shadows In The Fog," "Fog City Strangler," "San Francisco Secrets," "Deadly Plunge" are sequels to the first book in the series "Last of the Seals." His other three novels are "Sunbreaks," "Expiation" and "The Illusion of Certainty." For a more detailed summary of Greg's novels go to www.gregmessel.com
Greg is currently working on his eleventh novel "Dreams That Never Were" which is not part of the mystery series.
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