Showing posts with label Lynn Steward. Show all posts
Showing posts with label Lynn Steward. Show all posts

Thursday, July 16, 2015

Chapter Reveal: April Snow by Lynn Steward


Title: April Snow
Genre: Women’s Fiction
Author: Lynn Steward
Website: LynnSteward.com
Publisher: Lynn Steward Publishing


At the cutting edge of women’s fashion in the 1970s, a visionary young woman subdues her desire for love to remake retail at New York’s most glamorous department store.

Newly single, Dana McGarry learns she must divorce herself from more than a bad marriage to succeed. Not only must she prove to family and friends that she can make it on her own, but she also must challenge an antagonistic boss who keeps standing in her way. Moving out of her comfort zone and into the arms of a dynamic businessman, Dana bets it all on a daring new move that will advance her buying career, But at what price?
Her dreams within reach, Dana’s world is shattered in a New York minute when a life is threatened, a secret is revealed, and her heart is broken.
APRIL SNOW 
Chapter One

Dana McGarry, on vacation for the first time as a single woman, arrived at the Lansdowne Club at 9 Fitzmaurice Place, just steps from Berkeley Square, in London’s fashionable Mayfair on the morning of April 8, 1975.  Her lawyer had filed papers for a legal separation from her husband Brett in January, and after four months of being under the watchful eyes of well-meaning family and friends, Dana was savoring every moment of her solo trip across the pond.  She and Brett had always stayed at the nearby Chesterfield Hotel, but her beloved Colony Club in New York City enjoyed reciprocity with the Lansdowne Club, where she’d previously attended lunches and lectures while her husband met with clients for his Wall Street law firm.  Undeterred by the steady English rain and dark clouds hanging over the slick gray streets, she stepped from one of London’s fabled black taxis with renewed spirit, excited to think that the distinguished house in Berkeley Square would be her home for the next five days.    After Dana checked in, the hall porter asked her if she would like tea brought to her room and then discreetly disappeared with her luggage, a small, welcoming gesture that stood in contrast to an impersonal hotel.  Rather than immediately taking the lift to her room on the fifth floor, Dana stepped into the entrance hall and surveyed the club’s interior, intending to explore Scottish architect Robert Adam’s stately masterpiece commissioned in 1761 for King George III’s prime minister, the Earl of Bute.  Previously, she had limited herself to the dining room, never taking time to appreciate the club’s historic beauty.  Although rich with finely-crafted embellishments and Neoclassical splendor, the house was clearly showing signs of fatigue, and its understated elegance made the environment that much more comfortable.  Dana knew she’d made the right choice. The club was an oasis of tradition and tranquility affording her the peace and privacy she needed.
When Dana arrived in her junior suite, she noticed a bouquet of flowers sitting on a table in the sitting area. Thinking they were compliments of the club, Dana opened the attached note and laughed out loud.  The flowers had been sent by her childhood friend, Johnny Cirone.  The message read, “Take Phoebe shopping and buy up the town.  Whatever you do, enjoy yourself.  Love, Johnny.”
Dr. Phoebe Cirone, who was in London attending a cardiology convention, was Johnny’s sister.  Their father, John Cirone, known affectionately to Dana and her brother Matthew as Uncle John, was the head of the House of Cirone, a manufacturer of ladies eveningwear.  Having a passion for medicine from an early age, Phoebe had never expressed interest in clothes or haute couture, leaving Johnny to reluctantly carry on family tradition by working for his father.  Dana’s parents, Phil and Virginia Martignetti, had been friends with the Cirones since before her birth.
Dana, pleased to see a porcelain tea service had already arrived, took her cup to the window and sipped the Darjeeling as she observed the new plantings in the courtyard garden.  The peace she’d felt a few minutes ago was gone, however.  Something about Johnny’s note, as thoughtful as it was, unnerved her.  Johnny and her mother called daily to see how she was doing.  Dana sensed their concern, although she felt it was unwarranted.  What did they think—that she was going to kill herself because the divorce would soon be final?  They obviously didn’t recognize her personal strength and resolve.  Dana worked at New York City’s B. Altman, and the previous December she’d formed the department store’s first Teen Advisory Board.  She had also succeeded in getting Ira Neimark, the store’s executive vice president, to sign off on installing a teen makeup counter on the main selling floor over the objections of Helen Kavanagh, junior buyer, who thought youth-oriented strategies like those at London’s Biba, were a waste of time and money.   Despite these personal triumphs, she’d taken aggressive steps to further advance her career, leaving her comfortable job in the marketing department for the position of junior accessories buyer.  She had requested time off for this visit to London immediately after settling into the new assignment, and that alone was proof that she knew how to take care of herself.
Dana had been equally aggressive in terminating her marriage to Brett.  Papers for a legal separation had been filed in January by Dana’s lawyer when she discovered that Brett was having an affair with fellow litigator Janice Conlon, a saucy and impertinent young woman from California.  Negotiations for a final settlement were proceeding smoothly, with no protests originating from either Brett or his lawyer lest the firm be apprised of his misconduct with the audacious Conlon.  In the four months since their separation, Dana had realized that Brett’s dalliance with the abrasive Conlon had merely been a catalyst for the end of their relationship since there had been something far deeper and more troubling in their marriage: Brett’s growing neglect of Dana as he vigorously pursued partnership with the firm.  His work always served as a convenient excuse to pick and choose his time with Dana and in the long run, that grim reality had proven intolerable.  Within days of learning of Brett’s infidelity, Dana contacted an attorney and moved from her Murray Hill apartment to a carriage house a few blocks away in Sniffen Court.
Given the decisive actions in her personal and professional life, Dana therefore felt smothered at times by the daily concerns of others.  As for her traveling abroad alone, she felt more than competent to take care of herself.  When Brett had been with her in London, they were rarely together.  He usually spent days working, and evenings meeting with clients, joining Dana for late dinners, if at all.  He was up and out by 7:00 a.m.  She’d always hoped that the next trip would be better, but this was never the case.  Traveling alone?  It was all she knew.
Yes, it had all happened just four months ago, illustrating how the course of a life can change so radically and quickly.  But was she ecstatically happy now that a new phase of her life and career had begun, with Brett being almost surgically excised from the picture?  No, she wasn’t jubilant about anything at present, but she was content, at peace with the decisions she had made to take care of herself and her future.  In the words of her father, she had discovered that she had “a very good life” despite longstanding marital woes and formidable professional challenges.  Many of her friends had urged her to re-enter the dating scene since she was almost thirty and the clock was ticking, but Dana didn’t miss married life in the least and had no interest whatsoever in dating, especially guys described as the perfect match: upwardly mobile professionals, or “Brett clones,” the apt description provided by Andrew Ricci, Dana’s good friend and display director at the store.  Besides, marriage was not the only path to a fulfilled life.  In Dana’s estimation, happiness also resulted from pursuing a creative dream, enjoying good friendships and the myriad interests that gave her immense pleasure, such as travel, literature, films, and lectures on a wide variety of topics.  Being suddenly single was not a condition to be cured but rather an opportunity to be savored.
A line from Dickens came to mind as she thought of events that had altered her life:  “It was the best of times, it was the worst of times.”  Dana had survived the tumultuous weeks of the previous December, when she realized her marriage was over, but surely this was now the best of times, was it not?  She smiled as she contemplated her walk tomorrow morning to Piccadilly for breakfast at Fortnum & Mason, followed by a long and leisurely visit to Hatchards, London’s oldest bookshop.  The thought of Dickens reminded her of the delight she took in finding rare editions of the classics, or even first editions of lesser-known authors.  Today, however, she was going to enjoy Richoux’s delicious risotto when she lunched with Phoebe, who was staying within walking distance at the Grosvenor House on Park Lane.  Filled with a new surge of energy, the blue-eyed Dana freshened up, brushed her short blond hair, and grabbed a shawl and a pair of unlined leather gloves. The clouds were beginning to part, and the steady English drizzle had let up, but it was still a nippy fifty-four degrees—a perfect spring day in London.
Rays of sunshine were reflected by leaded windows in the rows of eighteenth century townhomes Dana passed as she strolled leisurely through Berkeley Square.  It was only eleven thirty and she had an hour before meeting Phoebe at her hotel, enough time for a short detour across Hill Street and Hays Mews to the Farm Street Church, also known as the Jesuit Church of the Immaculate Conception.  Years earlier, she’d been sitting on a bench in Mount Street Gardens when she looked up and beheld one of the church’s open gothic portals that seemed so inviting, beckoning her to enter and pray.  Then as now, it had been a glorious April day, the kind celebrated by Chaucer in the opening lines of theCanterbury Tales, when spring rains provide rich “liquor” for flowers suffering winter’s drought.

Dana arrived at the church and chose to enter from Mount Street Gardens rather than Farm Street, as she’d done on her original visit.  In the transept to the right of Our Lady of Farm Street statue was the Sacred Heart Chapel, and this is where Dana chose to pray in deference to the Sisters of the Sacred Heart, who’d taught her for twelve years in her youth.  She knelt in the third pew, said a decade of the rosary, and then sat, looking up to admire, as she always did, the glorious painting of the Sacred Heart flanked by four saints above an inlaid marble altar with three brass reliefs.  But instead of finding peace in this pious setting, the silence suddenly became deafening, and the alabaster walls of the chapel began to feel close, confining.  A wave of emotion engulfed her, and she cried uncontrollably, questioning her impulsive decision to end her eight-year marriage—and without considering her vows taken before God, family, and friends. What a hypocrite she felt herself to be—a selfish hypocrite who had turned her back on the faith that was such an integral part of her life.
Glancing at her watch, Dana saw that it was almost noon.  She needed to pull herself together and be on her way to meet Phoebe.  She took a deep breath, wiped away her tears, and walked outside to a bench in Mount Street Gardens, where she would spend a few moments composing herself.
In the sacristy, a priest was marking the readings for the twelve-thirty mass in the gilt-edged lectionary when he heard anguished sobs emanating from the Sacred Heart Chapel.  Curious, he stepped into the sanctuary in time to see a young woman exiting the side door leading to the gardens.  He followed her and observed her sitting on a bench fifteen yards away.  He folded his arms, closed his eyes, and said a brief prayer.  

*                                  *                                  *
Looking in her compact mirror, Dana wiped away the mascara beneath her eyes and reapplied a bit of powder to her cheeks.  She didn’t want Phoebe to see that she’d been crying.  What could she possibly say in answer to any questions her friend might have?  That she was upset over the abrupt manner in which she’d dissolved an eight-year marriage to an inattentive man who’d cheated on her?  No, the emotions that had spilled forth in the chapel had taken Dana by surprise, and they needed to be processed in private moments of reflection.
Dana had been resting her eyes when she looked up and saw a priest approaching the bench.  The Jesuit, a tall man in his early fifties, walked with a confident gait, and the smile on his face was evident when he was still several feet away.
“Good morning,” he said.  “Lovely day.”  He could tell the young woman was upset and,               in point of fact, she wasn’t the only one he’d encountered on the grounds who needed consolation or, at the very least, a friendly smile.
“Yes, Father, it is,” Dana replied.  “A splendid day.”
“Are you on holiday, or are we blessed to have you as a new parishioner?” he asked.
Dana examined the priest’s face more carefully.  He wore rimless glasses, and pale blue eyes regarded her kindly beneath close-cut salt and pepper hair.  He was dressed in a black clerical suit and looked to be strong and vigorous despite his gentle manner.
“On holiday, Father,” Dana replied. “I come here whenever I’m in London and wanted to stop in and . . . visit.  I was taught by the Sacred Heart sisters back in New York.”
“A New Yorker!” Father Macaulay said. “And a member of the family, so to speak.  May I sit?” he asked, motioning to the bench.
A member of the family, Dana thought, again fighting back tears.  Not anymore.
“I’m sorry, Father,” Dana mumbled, rising to leave.  “I’m meeting someone and I’m late.”
Father Macaulay nodded.  “I hope you’ll visit again.  I’m here in the church or the gardens every morning from nine until I say mass.  If you can’t find me, just tell the sacristan that you’re looking for Father Charles Macaulay.”
“Thank you, Father.  Have a good day.”
Biting her lip to fight back fresh tears, Dana and Macaulay shook hands. The priest watched Dana walk out of the gardens, sensing that she was in distress.  He was a good judge of people, and he thought that Dana would surely return to the church before she boarded a plane for New York City.  Somewhere in her soul, he thought, there was unfinished business.
*                                *                                  *
Wearing sunglasses, Dana walked for five minutes along Mount Street until she reached the Grosvenor House.  Phoebe was waiting in the lounge, and after they exchanged warm greetings, they left the hotel for Richoux, which was two blocks away on South Audley Street.
The two women were shown to a small table in the dimly-lit restaurant owing to the dark wood paneling in the main dining room.  When Dana removed her sunglasses, Phoebe immediately saw that Dana was upset.  Her eyes were puffy and her smile was forced.  Phoebe cocked her head and raised her eyebrows, as if to say, Do you feel like talking about it?
“I’m fine,” Dana said, brushing aside the concern.  “Nothing worth discussing.  Now tell me about you, how’s the convention?”
The two women chatted over lunch, Phoebe speaking of the lectures she’d attended on anticoagulation therapy, angioplasty, and catheterization for the diagnosis of coronary artery disease.  In turn, Dana described her new duties at B. Altman.  They laughed at Johnny Cirone’s daily calls and continued concern for Dana since her separation, although Dana was reminded yet again of the excessive attention she was receiving.
“We have to get him married off,” Phoebe said, “or at least find him a serious girlfriend.  He’s becoming a mother hen.”  She paused, knowing that Dana was holding back something painful, but decided not to press the matter.  “By the way, my dad has an offer on his house, and he’s in contract to purchase the estate sale on East 79th Street. It’s a big renovation, so he’s hoping to get approved by the co-op board quickly and start the demo. Johnny is already interviewing contractors.”
John Cirone was moving to Manhattan since his Long Island home seemed far too large since the death of his wife two years earlier.  He’d accepted a seat on the board of the Metropolitan Opera, and Johnny was helping his dad make the long-overdue transition to the city—and to the present, away from thoughts of his deceased wife, Lena.
“It sounds like the convention is keeping you pretty busy,” Dana said.  “Would you like me to pick up Uncle John’s cigars at Sautter’s?  It’s a few blocks from the Lansdowne.”
“That would be a lifesaver,” Phoebe said.  “I have two days of seminars on using something called a stent to open up clogged arteries instead of always resorting to bypass surgery.  It would be a non-invasive procedure, but most cardiologists think it’s still years away.”  Phoebe suddenly burst out laughing.  “And here I am, bringing my father cigars, which is the last thing a cardiologist should do.”
The two women finished lunch, Phoebe heading to the convention for afternoon lectures,
and Dana returning to the Lansdowne Club, where she finished unpacking.
Dana sipped afternoon tea while paging through a book of poems she’d found lying on the end table by the sofa, her thoughts returning to her display of emotion that morning.  Brett had indeed been quickly and surgically excised from her life, perhaps too quickly, and yet she had received no judgments about the decision to do so from her parents.   She was aware, of course, that Virginia had always been a bit leery of Brett, even at the very beginning of their courtship.  As for her father, he was quite unflappable and had reminded Dana that things always work out in the end, which was a part of his lifelong, homespun philosophy that she found so comforting.  And yet Dana couldn’t shake the realization that Brett, despite all of his shortcomings, was a man she’d loved for over eight years.  Should she have given him another chance?  After all, the marriage hadn’t been all bad.  The visit to the chapel, she concluded, had reminded her of Catholic dogma regarding marriage: it was indissoluble.  Mount Street Gardens, the chapel, the brass panels—they’d brought to mind her many years with the Sisters of the Sacred Heart, causing her to second guess her decision.

Leafing through the slightly-worn pages—she thought that older books had such character—she saw Wordsworth’s “Ode on Intimations of Immortality.”  It was one of her favorite poems.  She especially liked the lines towards the end.
Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind;
In the primal sympathy
Which having been must ever be;
In the soothing thoughts that spring
Out of human suffering;
In the faith that looks through death,
In years that bring the philosophic mind.
The sentiment was essentially that of her father, who had a “philosophic mind” when it came to handling disappointment.  There had been good times in the marriage, but some things were beyond repair, and Dana had indeed retained strength in what remained behind, which was a full life that included friendships and opportunity.  Dana realized how important this trip was—far more than a break from her daily routine or an enjoyable shopping spree.  On her own, she could privately mourn her marriage and process her emotions, opening her mind and heart for whatever lay ahead.  She was at peace again, ready for the rest of her stay in London.  Still, she wondered if Father Macaulay would share her perspective.  The priest had emanated kindness and understanding in the brief minutes she’d been in his presence, and now, feeling stronger, she decided to visit him again before she left London.  He’d demonstrated genuine concern, and she wanted to hear his soothing voice one more time.


Friday, June 20, 2014

At Home Again by Lynn Steward, Author of A Very Good Life

Title:  A Very Good Life
Genre:  Literary Fiction
Author:  Lynn Steward
Website:   www.averygoodlife.com
Publisher:  CreateSpace

SUMMARY

Although Lynn Steward’s debut novel, A Very Good Life, takes place in 1970s New York City. it has a timelessness to it. Dana McGarry is an "it" girl, living a privileged lifestyle of a well-heeled junior executive at B. Altman, a high end department store. With a storybook husband and a fairytale life, change comes swiftly and unexpectedly. Cracks begin to appear in the perfect facade. Challenged at work by unethical demands, and the growing awareness that her relationship with her distant husband is strained, Dana must deal with the unwanted changes in her life. Can she find her place in the new world where women can have a voice, or will she allow herself to be manipulated into doing things that go against her growing self-confidence?

A Very Good Life chronicles the perils and rewards of Dana’s journey, alongside some of the most legendary women of the twentieth century. From parties at Café des Artistes to the annual Rockefeller Center holiday tree lighting ceremony, from meetings with business icons like Estée Lauder to cocktail receptions with celebrity guests like legendary Vogue editor Diana Vreeland. Steward’s intimate knowledge of the period creates the perfect backdrop for this riveting story about a woman’s quest for self-fulfillment.
At Home Again by Lynn Steward
About five years ago, I labeled a personal file as “Act Three,” and filled it with creative ideas for a new work-interest. I first enjoyed an exciting career in New York’s fashion industry, then later, via a circuitous route on the way to opening my own boutique Shop for Pappagallo, I established a successful real estate business in Chicago. But I always enjoyed business-related writing and thought a non-fiction self-help book, with life-lessons I learned along the way, was something to explore during this next phase.
But, as often happens when you put yourself out there, I discovered another path and took it: I developed a TV pilot about New York in the seventies because, as they say “Write what you know” and I know New York. I’m a native of Long Island, and between attending school and working, I spent twenty-two years in Manhattan. I was so overwhelmed with ideas, I  created a TV series designed to run for five seasons. Appropriately placed in the New York City of 1975, which was International Women’s Year, the plots in the series intermingled fashion legends, business icons, real events, and untold stories, providing a behind-the-scenes look at inspirational women in the worlds of art, fashion, and business.
After meeting with professionals in the entertainment industry, I realized that the main character needed more drama and the plots had to be developed, and I felt the best way to do that was to write a novel, incorporating the TV stories.  While I still hope to see the characters alive on the big screen, I tremendously enjoy daily researching and writing historical fiction. My favorite time to write is early in the morning, preferably around 5:30 a.m., when my mind is clear, it is peaceful, and there are no interruptions. For at least three hours a day, I am again at home in New York City in the 1970s, creating a life for thirty-year-old Dana, her family and friends: attending parties at Café des Artistes with celebrity guests like legendary Vogue editor Diana Vreeland, the tree lighting at Rockefeller Center, a business meeting with Estée Lauder, an art lectures at the Met.. At the same time, raising important questions that are relevant at every age, then and now: how does one find balance and meaning in the daily routines of life? How does one stop counting the candles, a single year or event, and instead, value the tapestry of life? This quest for self-fulfillment is a universal theme everyone can identify.
AUTHOR BIO


Lynn Steward is a successful business woman who spent many years in New York City’s fashion industry in marketing and merchandising, including the development of the first women’s department at a famous men’s clothing store. Through extensive research, and an intimate knowledge of the period, Steward created the characters and stories for a series of five authentic and heartwarming novels about New York in the seventies. A Very Good Life is the first in the series featuring Dana McGarry.  


Thursday, June 12, 2014

Interview with Lynn Steward, Author of A Very Good Life

Lynn Steward is a successful business woman who spent many years in New York City’s fashion industry in marketing and merchandising, including the development of the first women’s department at a famous men’s clothing store. Through extensive research, and an intimate knowledge of the period, Steward created the characters and stories for a series of five authentic and heartwarming novels about New York in the seventies. A Very Good Life is the first in the series featuring Dana McGarry.

Website: www.averygoodlife.com
Facebook: www.facebook.com/LynnStewardNYC
Pinterest: http://www.pinterest.com/AVeryGoodLifeNY/
Twitter: www.twitter.com/lynnstewardNY

Where did you grow up?

Long Island, New York

When did you begin writing?

I always enjoyed business writing, and about three years ago, I started putting ideas on paper for a TV series. That led to creative writing and endless storytelling.

Do you write during the day, at night or whenever you can sneak a few moments?

My favorite time to write is early in the morning, preferably around 5:30 a.m., when my mind is clear, it is peaceful, and there are no interruptions. I won’t allow myself to even peek at e-mails, I don’t want anything to distract me for at least three hours. I am always surprised and disappointed how fast that time passes.

What is this book about?

A Very Good Life is the first in a five book series featuring Dana McGarry, set in 1970s New York City. When we first meet Dana, she is a twenty-nine year old, married career woman living a privileged New York lifestyle of a well-heeled junior executive at B. Altman, a high end department store; but, change comes swiftly and unexpectedly. Cracks begin to appear in the perfect façade. Challenged at work by unethical demands, and the growing awareness that her relationship with her distant husband is strained, Dana must deal with the unwanted changes in her life. Can she find her place in the new world where women can have a voice, or will she allow herself to be manipulated into doing things that go against her growing self-confidence?

What inspired you to write it?


I spent at least a year and a half researching and developing characters for a TV series, set at a time and place I know very well: New York in the late 1970s, and another year writing the pilot and synopses for five seasons. After meeting with professionals in the entertainment industry, I realized that the main character, Dana, needed more drama and the plots had to be developed, and I felt the best way to do that was to convert the pilot and first season into a novel, as well as each subsequent season.

Who is your favorite character from the book?

I have great affection and enthusiasm for the real and fictional characters, and the period, and I think that is translated on the page. Dana, however, is the most interesting to me because she has the widest character arch with challenging opportunities for growth. Readers are rooting for Dana from the beginning of A Very Good Life, and they want to know where her life takes her in Book Two.

Was the road to publication smooth sailing or a bumpy ride?

The road to publication was smooth sailing, due to many long months of preparation. I did extensive research and found bloggers tremendously helpful; all the information you need and want is on-line, and the more you read, the better questions you have, and the process unfolds. I also hired a good team: a graphic designer, a formatting company, two editors, a proofreader, and a lawyer to vet the manuscript. I am also grateful to the Amazon team who responded to my questions within hours.

If you knew then, what you know now, is there anything you would have done differently?

I would have sent galley copies to reviewers a few months before the official release, rather than wait for the proofed and edited manuscript.

Where can readers purchase a copy of your book?

A Very Good Life is available on Amazon.com, both the print book and the digital edition for Kindle and all devices that support the Kindle app.

Do you have a video trailer to promote your book? If yes, where can readers find it?

I am working on that right now, and hope to have one ready in a few weeks.

What is the best investment you have made in promoting your book?

Hiring an on-line publicist was my best monetary investment in promoting the book, and learning about social media was my best investment of time.

What is one piece of advice you would like to share with aspiring authors everywhere?

Write what you know and love, and keep writing. Don’t worry about “elements of style,” that is why we have editors. The more they edit, the better you will get; it’s the story that you want on the page.

What is up next for you? Is there anything you would like to add?

I would love to tell you about Volume Two! “April Snow”

We meet Dana in London on holiday. While shopping at Jaeger’s on Bond Street, she is inspired to create a similar women’s classic clothing boutique at B. Altman, but, once again, Helen, the junior buyer, is an impediment. Back in New York, she finds a new love interest, Mark, who introduces her to Irwin Berger, a menswear manufacturer. After Dana learns that Brooks Brothers is opening a ladies department with fashions made in the cutting rooms of menswear manufacturers, she convinces Irwin to work with her to design a private label collection of tailored clothing, using menswear fabrics, to present to senior management at B. Altman. When Mark’s daughter suffers a serious horseback riding accident, she is faced with a new heartache, and, the always resilient Dana, concentrates on her work. Dana meets a mysterious woman, Abby, in London, and she invites her to speak at a luncheon program at the Colony Club, but Abby doesn’t show. The book ends with Dana receiving a letter from Abby’s husband, and this correspondence sets the stage for Volume Three.