Tuesday, September 17, 2013
Interview with Helen Wan, Author of The Partner Track (Releases Today!)
HELEN WAN is Associate General Counsel at the Time Inc. division of Time Warner Inc. Before that, she practiced corporate law and media law at law firms in New York. Born in California and raised near Washington, D.C., Wan is a graduate of Amherst College and the University of Virginia School of Law. Her essays and reviews of fiction have been published in The Washington Post and elsewhere. She lives in Fort Greene, Brooklyn, with her husband and son.
Visit Helen online at www.helenwan.com.
What’s your novel about?
THE PARTNER TRACK is the story of Ingrid Yung, an ambitious young Chinese-American woman who’s being groomed to become the first minority female partner at one of the country’s most prestigious law firms. Though she often feels like an outsider, Ingrid has perfected the art of blending in. Then an incident at the firm’s summer outing threatens to change everything, forcing her to square off against her colleagues in a workplace war of race, gender, and sexual politics.
What was your biggest challenge in the actual writing of this book?
Plot. Plot, plot, plot. So many first-time authors – and I am no exception – know exactly what themes they want to write about. I wanted to write about the experience of a minority woman trying to succeed in a white-shoe work environment, to tell the story of what it’s like to be an outsider in a work context where it’s very, very important to be on the inside. But ask that same author, well, what’s the story, precisely? What happens? That was the hardest part to figure out.
This novel went through so many iterations, so many drafts, over the course of a decade. Finally, one day, about four years after I’d first started writing it, my biologist husband was reading over a scene when he pointed at a line of dialogue. “Right here. This is what the book’s really about,” he said. I looked at the page and realized he was right. I completely revamped the plot from there. Just jettisoned about half my draft, which was painful. (It is painful to kill your darlings!) But now I had my plot. The story had been lurking there all along; what I’d needed was to locate that single loose thread. And then I just pulled.
What is the best writing advice you’ve ever been given?
That’s easy: write the book you’d most like to read. I was not seeing any books being written about Asian American women that did not involve: (a) a soul-searching trip to China; (b) a flock of quaint-as-hell relatives; or (c) an arranged marriage. I’m am not denigrating novels that happen to include these plot points; in fact I myself enjoy them. I’m just saying I wanted to be able to read a contemporary novel about a minority woman whose perspective and experience were closer to my own. Finding none, I decided to write one.
What are you working on now?
I’m at work on my second novel. It’s a lot of fun to get to know a whole new set of characters. It feels kind of like starting a new school year. I’m still at the “themes” stage – I know what I want to write about, but am still figuring out the story. And I also gave birth a few months ago to a beautiful baby boy. In my wildest dreams I never would have thought that a first book and a first baby would arrive the same year. But if you want to make God laugh, just tell her your plans.