Monday, March 31, 2008

The Inside Scoop on Sue Thurman



We continue today with our series of interviews featuring the contributors to Inside Scoop: Articles about Acting and Writing by Hollywood Insiders and Published Authors. When I read Sue Thurman’s accomplishments, I stood in awe. Sue is listed as the producer for Arizona Entertainment Weekly—which covers local and global entertainment news. She’s written a humor column for the Scottsdale Tribune and the ezine Stuff, and will be shooting a pilot in April, titled Ghost Hunters. She’s also working on two new books. I’m tired after saying all that, never mind doing it. Sue was kind enough to let me catch up with her to talk about some of these projects and her contributions to Inside Scoop.

Welcome to The Book Connection, Sue. I’m honored to have you with us.


Thanks Cheryl. It’s wonderful to be here and thank you for inviting me.

Let’s get started by finding out more about you. What is your fondest memory from your childhood?

My mother reading stories to me. She made me fall in love with books and the wonderful characters that came to life in my mind when she read their adventures. One of my favorite stories was Peter Rabbit. Then there was Mother Goose with her short little tales that would get my imagination going, then I’d think about what might have happened next. I often imagined they have a life off the pages of the books.

Do you still live in the place where you grew up?

No, I grew up in the Midwest and now live in the Southwest. I always wanted to be a cowgirl, so I got my wish.

Who is your biggest supporter?

My husband, family, and friends, especially my best friend in the universe, Vicki Ray.

From one busy woman to another, how do you manage to find time for all that you do?

For me, it’s all about having a passion for things. My days are filled with the things I’m driven to do. It’s not like there’s really a choice. I have to do them to sustain myself. My creative energy has to constantly be fed. Sometimes it’s overwhelming.

How do you stay organized?

If you saw my office, you’d really wonder. Without my computer, I’d be totally lost.

This looks like it will be a big year for you.

That’s my hope. I just signed a publishing contract for one of my books, Maybe We Are Flamingos, so now things are even more exciting.

In addition to your contributions to Inside Scoop, you’re in the process of developing some pilots for television and writing books. You’re involved in two extremely competitive industries. What keeps you going?

My husband, Pat and an inner need to express myself creatively. I’ve been producing play times since childhood for the neighborhood. It brings me tremendous joy to touch others in a positive way, to bring a smile to someone, and explore possibilities. When my twin sons were little, we had the greatest adventures. I loved watching them discover the world. I’ve always loved children and the way they think.

How do you keep from getting discouraged by rejections?

Those initial rejection slips from literary agents or publishers hurt, but now I just cross them off the list and move on to the next one. The same is true with the television pilots. It’s my belief that most of us know when we’ve created something special, something important. It’s just a matter of finding someone in the industry who shares the vision. Sometimes that takes longer than we’d like.

The entertainment industry fascinates me. Can you share with us a little bit about shooting a television pilot and what happens afterwards?

Cheryl, how much time do you have?

The entire process gives me a major adrenaline rush. Most people would probably be surprised how some actors need to be reassured and encouraged. One of my gifts is apparently being able to put people at ease and it’s like a special kind of magic. During a movie junket, one actress was so nervous before and after an interview and wanted to be sure she did a good job. It took a great deal of reassuring to get a smile on her face. She honestly did a fantastic job.

When taping an entertainment news program, like Arizona Entertainment Weekly, it’s critical to establish a comfort level quickly. The win-win part is providing an opportunity for the person being interviewed to share their dreams, passions, or work with the audience.

There is a tremendous amount of work that goes on behind the scenes. Writing, scheduling, arranging every tiny detail. There are differences each time, but there are always many, many things to keep track of to do the best job.

It’s hard to watch a movie or television show now and not notice when there’s a production error. Like someone is hurt and bleeding in a scene. Then in the next scene there’s no blood, then it’s back again. Most of the time scenes are shot out of sequence, so it’s important to have a script person tracking each character, how they look from scene to scene, what they are wearing, down to the jewelry, manicure, and makeup.

Taping outdoors brings another set of problems. Once we were doing a shoot at a fire station surrounded by wild peacocks. Every time the cameras started to roll, the peacocks would call to each other very loudly. It took numerous takes for a short scene. There can be airplanes and the sound of regular street traffic that also requires numerous takes.

One of my favorite television shows had a production error recently that drove me crazy. A female character had eye shadow on in one scene, then it was gone in the next, which was just a moment later on screen. In reality, it could have been several days later.

After the shoot, it’s all about editing, music, special effects, voice overs, b-roll, and other things that polish a rough story into a work of art. I rely on expert editors to do that. They are truly the wizards that make it magical and make it all look so great in the end. I’ve worked a lot with an incredible editor, Todd Hunt. He is amazing and we’re working together on the current pilots.

Once all of that is accomplished, comes the time to pitch the pilot to potential sponsors and/or studio, depending on the material. Often times it really boils down to contacts and who you know that may be looking for something.

Making a pilot doesn’t guarantee success, so it’s a gamble and often an expensive one, but somehow, it always feels like it’s worth the time and energy.

What are some of the reasons that pilots don’t get picked up by networks?

From my experience it’s typically funding or the person contacted isn’t interested in the subject matter, sometimes for personal reasons, other times because others have something similar. Then, sometimes they want something similar. Competition is strong. Many industry experts have turned a project down then have later been very sorry when it’s a hit elsewhere. Timing plays a major role too, along with production costs. If one can walk in with a sponsor, that’s half the battle.

Reality TV seems to have taken over television. Why do you believe these shows are popular with viewers, as well as, network executives?

That term is such a hoot, when there’s typically not much reality involved. They are less expensive to produce and typically don’t have a major star. I’m sure there are other reasons, but those come to mind immediately.

Let’s move on to writing. You write for the children’s market—among others—and one of the television pilots you’re working on is a children’s show to promote reading. What do you enjoy about reaching out to young people?

Absolutely everything! There’s nothing as exciting as the opportunity to ignite a child’s imagination. They are like thirsty little sponges taking in everything they hear, see, touch, taste, and experience. To have a chance to share a new experience with them and the potential to create a lasting special memory is the best. It’s really the same with most audiences. When it’s children and their families, that’s even better.

How can parents encourage a love for reading in their children?

By reading to them from the start. I read and sang to my twins before they were born. As infants, they heard many stories. When they were toddlers, they loved to pick out their favorite stories and we’d read them frequently, not just for bedtime. Sometimes I would make up stories to tell them. Soon, they wanted to learn to read themselves and begged me to teach them. So, at the age of around three, they started reading their favorite books to me. They have been avid readers ever since. Our theme song says it all, Reading is magic, all you need is a really good book, it’s the key. The key to unlock the realm of imagination. For many years we saw the success of this live production and now we’re going to bring it to television and touch millions.

Do you feel America has done a good job of promoting reading and writing in our public school systems?

That’s hard to say because schools are not identical across the country. However, during educators’ day at the opening of the Challenger Learning Center in Peoria, Arizona, we were amazed how many teachers shared their concerns with our cast. They said in the last 15 to 20 years, kids are more observers than participants.

This is due to video games, toys that entertain with little imagination required, and some television programs. Too much of anything is not a good thing, and kids need balance, just like adults. Teachers said children just aren’t using their imaginations. It hurt me to hear that and part of our mission is to ignite those imaginations. Creativity is where our inventions and scientific discoveries begin. If you give a child blocks, they use their imagination to create anything. Our sons created incredible things with Legos, even their own transformers. As the great Walt Disney said, “If you can dream it, you can do it.”

Is there anything else you think we can do?

Absolutely! Set a good example as adults and read more. Have a special story time to share with your kids. We often did this with a pot of tea. Take turns reading a story out loud, especially if your children are older. Discuss the story and maybe make up what might have happened to the characters after you close the book. Go to the library and to their story times. Support programs like ours, all about the magic of reading.

Let’s talk about Inside Scoop. How did you get involved in this project?

Through my virtual office, Emerald City Imagineers, on Zoetrope, I met Marilyn Peake. I’m very proud to say she’s one of my Imagineers. Marilyn publishes "Golden Goblet" Newsletter and invited me to contribute. Stories from "Golden Goblet" were included in the book.

You contributed an interview with Allison Dubois, who is a real-life medium. What is the focus of this interview?

It was my sincere pleasure to interview Allison for Arizona Entertainment Weekly. We spent an hour together and I was amazed and delighted to have the opportunity to spend time with her. Her segment was on-air about 2 minutes, which was typical for the format of the show. I had so much incredible information and wanted to share it with others.

In the interview she shared things about a book she had just written, her life, her family, and what it’s like to be a medium. She also talked about Patricia Arquette, the actress that plays Allison on the television show Medium. Allison talked about visiting the set with her children so they could play with the “little” actresses that play them on the show. She also shared what it was like to have children with her gifts.

I’ve always been interested in the paranormal, so meeting Allison was a very special opportunity for me.

You also contributed an article titled Ghost Busters. What can you tell us about it?

Since the first house I lived in from infancy until I was several years old was haunted, I experienced some odd things and since that time I’ve always had an interest in the paranormal.

Debe Branning is a ghost hunter and after sitting in on one of her classes and interviewing her, we discussed program ideas. Debe shared some of her experiences, which I thought people would find interesting. Most people are interested in celebrities and ghosts, not necessarily in that order.

We talked about shooting a program in the future, Now the time is right and we plan to shoot a ghost event she’s hosting in April. I’ve been sworn to secrecy, but will be happy to report on what happens. We hope to see a ghost during our adventure, which sounds like great fun. This could easily be a special, so that’s how we’re approaching the project. We’re going to visit some of the locations with Debe before the event, so maybe we’ll meet some interesting spirits along the way.

Can we look forward to more contributions from you to “The Golden Goblet” newsletter and books based upon them?

Absolutely! We’ve discussed another interview that was done with Jeff Willes, UFOlogist. Some of his footage of the Phoenix Lights was used in the DVD,
Dan Aykroyd Unplugged on UFOs. It was amazing to talk with David Sereda, the producer and director of the DVD and learn about his interest and Dan’s. Working with Marilyn is wonderful and she’s a dynamite editor, writer, and person.

What other projects are you working on?

In the writing area, as I mentioned earlier, I’ve just signed a publishing contract for my first book in the Safari Series, MAYBE WE ARE FLAMINGOS. It’s a series of children’s books inspired by my days as Safari Sue at the Phoenix Zoo, where I produced children’s programs.

I also have several paranormal romance novels and others in the works that can be easily adapted into screenplays. One day, my dream is to work with Ron Howard to bring them to life on the big screen.

Recently I decided to write a book based on interviews with psychics and those involved in the paranormal, along with actors that are also interested in the subject, or have been in TV series or movies with ghosts. I would love to talk with the cast of Ghost Whisperer.

Also thinking of developing some Internet casts for some interesting characters from our live productions.

Is there anything that you would like to add?

Yes, the material in my books and the children’s television show has been field tested with tremendous results. My dream is to share quality stories and shows with children and their families, while making a positive difference, and stimulating those wonderful imaginations. Please watch for the release of my book, MAYBE WE ARE FLAMINGOS, in late May, 2008.

Thanks so much, Sue, for sharing your time with us today. I hope 2008 turns out to be a great year for you. May you be blessed with continued success.

From your lips to God’s ears.

Thank you so much for your wonderful words and this opportunity, Cheryl.

Saturday, March 29, 2008

The Poetry of Murder by Bernadette Steele--Book Review



The Poetry of Murder is a tale of lies, secrets, and revenge that will find you weaving through twists and turns every step of the way.

Aspiring African American poet, Geneva Anderson finds her aunt, Victoria Franklin murdered in her office at International House. She is stunned once more when she discovers that she has inherited her aunt's estate that is worth millions.

After the inheritance leads to Geneva becoming the prime suspect, she is arrested for her aunt's murder. To clear her name, she decides to search out the real killer on her own, despite the advice of many friends. The more she discovers about Victoria's past, the more Geneva fears her aunt might not be who she thought she was. As lies are uncovered and long-held secrets revealed, Geneva is forced to learn The Poetry of Murder.

I was thrilled with this cozy murder mystery from debut author, Bernadette Steele. She drops the reader right into the action and it never stops until the murderer is revealed. Geneva Anderson makes the perfect amateur sleuth because she truly learns as she goes, using only past experience and common sense to move her investigation along.

There were so many twists and turns to this novel I almost got dizzy and I honestly had no idea who the real killer was until I read it. Steele wove a great plot, included a well-developed set of characters, and plenty of mystery and suspense to come up with an outstanding first novel.

The cover didn't do much for me. I liked the black, red, and white print on a yellow background, but the black and white photo of International House wasn't what I would like to see on such a page turner. And having seen the video trailer for this novel at YouTube, I feel there is so much more that could have been done to design an attention-getting cover.

All lovers of cozy murder mysteries will want to pick up The Poetry of Murder by Bernadette Steele. I look forward to the next book in this series starring amateur sleuth, Geneva Anderson.


Title: The Poetry of Murder
Author: Bernadette Steele
Publisher: Oak Tree Press
ISBN-13: 978-1-892343-08-6
ISBN-10: 1-892343-08-8
U.S. Price: $12.95

The Cake Thief by Sally Lee--Book Review



The Cake Thief by Sally O. Lee is a fun, easy to read, and beautifully illustrated tale of Clarence, a young boy who likes to steal cakes. We don't know why he doesn't talk to anyone in town, but we know he goes through the neighborhood stealing cakes, until one day he gets an invitation to a party and Clarence must bring a cake of his own.

This short picture book is filled with strikingly handsome illustrations rendered in oil paint on paper. Your youngster won't soon forget Clarence's small gray house with a purple door that sits on the top of a hill. Nor will she forget his plump black cat, Evelyn.

Lee shares Clarence's story with words that perfectly match her stunning illustrations. After reading this story to your child, there will be much difficulty in everyone picking their favorite parts because there is so much to love and enjoy.

A sweet and yummy tale of belonging and friendship, The Cake Thief by Sally O. Lee will win your heart and become one of your child's favorite books.


Title: The Cake Thief
Author: Sally O. Lee
Publisher: BookSurge
ISBN: 1-4196-8392-6
ISBN/EAN: 9781419683923
U.S. Price: $17.95

Quo Vadis, Israel? by H. Peter Nennhaus--Book Review



Well-written, intellectually stimulating, and thoroughly researched, Quo Vadis, Israel? provides the open-minded reader with a unique solution to a decades-long problem.

Since its birth in 1948, the State of Israel has been consistently despised and attacked. Numerous peace efforts by various countries and organizations have failed to bring about a long-lasting solution for Israel and Palestine.

But what if Israel were moved to a more suitable land in Europe?

This is what author H. Peter Nennhaus asks the reader to contemplate while providing an historical background of the conflict, the history of anti-Semitism, and the bleak outlook for the future in the Middle East.

For such a short piece of work (~ 110 pages), Nennhaus has managed to pack in a plethera of facts, figures, and important dates. It is obvious he is knowledgeable about this topic. He makes a strong case for moving Israel to a more suitable location--one where the State of Israel and its inhabitants wouldn't be surrounded by a bunch of countries and people who wish them harm. Showcasing the abilities that the Jews have for turning wasteland into prosperous territory, Nennhaus believes the Jews will do equally well in creating a new home in a land that is in much better condition than the land they received in 1948. The author willingly admits that this plan will be difficult for many to accept, but this reviewer admires his convincing arguments.

In Quo Vadis, Israel? I found a probable solution that would finally allow the State of Israel and its people to live in peace.


Title: Quo Vadis, Israel?
Author: H. Peter Nennhaus
Publisher: Outskirts Press
ISBN: 978-1-4327-1459-9 (Paperback)
ISBN: 978-1-4327-0919-8 (Hardcover)
U.S. Price: $11.95 (Paperback)

Thursday, March 27, 2008

Richard Dudum and What Your Mother Never Told You



Richard Dudum is a San Francisco trial attorney, a realtor, a musician, a summer camp director, and a cancer survivor. He is also a husband, and the father of two sons and two daughters.

The best part of his life has been the past twenty-eight years working with hundreds of teenagers and young adults, including his own children. He's tried to provide tools to help them successfully communicate and navigate through the turbulent teenage years. Over the years, he's seen the same issues hurt so many girls so many times that he decided to write down his insights, thoughts, and advice. The result is his new book, What Your Mother Never Told You.

Read an excerpt:

Chatper 61 - This Book is a Downer and is Killing my Social Life


I'm not trying to ruin your social life by writing this book. It's your life, not your social life that I am interested in.

If I didn't think you were worth it, I wouldn't take my time writing this book. You may think I don't know you. You're right, but I know who you can be. I know what you are capable of. I have spent the last twenty-eight years talking to teenagers and young adults just like you. You all share so many beautiful things in common. What I discuss in this book relates to all of you. You are not alone. You are absolutely worth my time in writing this book.

I want you to have fun, go to parties, meet boys and girls, dance, laugh, sing, and have a great time. At the same time, I want you to always anticipate and avoid potentially harmful people, places, situations, and the type of fun that can blur your reputation. I want you to always be smart and safe. I want you to try your best never to cross the line. I want you to make perfectly clear to the world exactly where your line is so that there is never a shadow of doubt about who you are, what you do, and where you stand—by doing so, I want you to define yourself!

I want you to be confident, elegant, and hold yourself to the highest standard, a standard that is beyond compare. A standard that YOU can and will always be proud of. I am ask­ing you to be your very best all of the time. When you walk in a room, I want everyone there to have the absolute greatest respect for you and to hold you in the highest regard. I want you to always respect yourself.

But far more important than what I want is what YOU want. YOU have to want all of these things. I am absolutely not asking any more of you than you should ask of yourself. Do these things for YOU—not for me—not for anyone else—only YOU!

Don't worry, your life and social life will be great. Keep on reading. We're almost finished!

What Your Mother Never Told You can be purchased at Amazon.com.


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Wednesday, March 26, 2008

The Inside Scoop on Larriane Wills



Today, I have the pleasure of welcoming back multi-published, multi-genre author Larriane Wills. I first interviewed Larriane when her science fiction novel, Looking Glass Portal was released by Swimming Kangaroo Books. Larriane is just one of the talented authors who contributed to Inside Scoop: Articles about Acting and Writing by Hollywood Insiders and Published Authors edited by Marilyn Peake. We’ll catch up with all Larriane has been working on since the last time she stopped by and find out more about her contributions to Inside Scoop.

Welcome back, Larriane. I’m thrilled to have a chance to catch up with you! I bet you’ve been a busy person since the last time we spoke.


Thank you for having me. Really nice to be visiting with you again. Oh, and yes, I have been busy and loving it.



Why don’t you give our readers a brief overview of who you are and what you write so we can refresh their memories a bit.

I have three currently published books, The Knowing (fantasy), Looking Glass Portal (Science fiction), and under my alter ego, Larion Wills, Mourning Meadow, a romance. I have two at the gate, coming out any time (maybe even be by the time this is posted) Thirteen Souls and Mark of the Sire. With six more under contract, I expect to stay busy for a couple of years anyway.



I know this is a tough question, but do you prefer one genre over the others?

If I were to be pushed into making a choice, I’d have to say contemporary romance, but I’d have to add as long as it includes suspense.



If one of your readers was asked what your greatest strength as a writer is, what would she say?

Going by what comes up the most in reviews and fan mail I’d say character development seems at the top of the list.

It seems like you’ve concentrated more on science fiction and fantasy than on romance in the past, but you’ve got some romance novels coming out soon. What can you tell us about them?

I actually don’t do more in fantasy/science fiction. They were just the first I submitted and started with. The romances are on the move. They’re multi and crossed genre from soft and sweet to hot and spicy, historical to modern, and for variety some have ghosts or witches tossed in. I did try to separate some of the genres to alert my readers in what to expect by using two pens, Larriane for fantasy/science fiction and Larion for romance, but by definition ‘romance’ covers such a very wide spectrum. Mourning Meadow is a soft romance with some ghosts. Thirteen Souls is a hot romance with ghosts, while Mark of the Sire is a soft, historical without any paranormal at all. Mark of the Sire, by the way, is the first of a historical series. The second, Little Sam’s Angel, will be released this fall. Evil Reflections, a hottie with witches, is slated for a Halloween release.



Let’s talk about Inside Scoop. How did you get involved in this project?

Marilyn Peake read a blog I had written, liked it and asked me to contribute. Flattered and once challenged, I had to try even though I don’t consider myself a non-fiction writer and do very little in the way of shorts. If you were to drop in at my website you’d see what I mean by how seldom I even write a blog.

You contributed two articles to this book: “You Have Nothing to Fear but Fear Itself” and “Editing Is Not a Dirty Word”. What type of fear are you referring to in your first article? How do you think writers can overcome their fears?

I had allowed things I had heard or read convince me that it was a waste of my time for an unpublished author to even try to break into the field without previous background or credentials. Made for some good excuses to avoid facing rejections and that was the biggest fear. The thought of someone telling you your work isn’t any good can be an ego crusher. Not even ego actually, but your spirit. The only way a writer can overcome that fear is to face it, be ready to take the necessary time and expense—and yes there is expense to consider—and go for it. What you learn along the way will only help you to be better equipped for the next submission.

I am one of those crazy people who enjoys editing almost more than the actual writing. Why do you think editing is so cumbersome for many writers? Are there ways to make editing easier or maybe even more enjoyable?

Editing is cumbersome. There I said it. It’s time consuming, requires concentration, monotony, and disciple. Some writers are lazy and sloppy too. I hope no one is throwing things at me, but it’s true. When you read someone else’s work, I’ll bet you can pick out those I’m talking about. So can publishers. Guess what goes in the rejection pile. That’s the incentive. Suggestions to make it easier are in the article, but first and foremost, don’t let it overwhelm you. Take it one step at a time and receive ‘enjoyment’ in that sense of pride in your achievements. Remember, they’re only words, and you have control over them.


It sounds like you’ve got a lot happening in your world. What does the future look like right now? Are there more exciting projects to tell us about?

My future looks like a lot of work on the computer. That’s said with a smile and a grimace since I write all my first drafts out in long hand. Writing a story is so much more fun that typing it, and yes, editing. I need to set the romances aside for awhile and get back to some fantasy/science fiction for those readers. I don’t know how exciting you’d call that, but that’s the plan.

Is there anything else you would like to add?

Since you asked, I’d love to thank Marilyn for the opportunity she’s given me. If one person with a manuscript(s) in a drawer or closet takes it out and works on sharing it, the article accomplished something. A big thanks to you too, Cheryl. Always fun to visit with you.

Thanks for stopping by, Larriane. It was wonderful to touch base with you again. I wish you much continued success.

Tuesday, March 25, 2008

The Squirrel, the Worm, and the Nut Trees by Jimmie Powell-Book Review



An inspiring tale of surviving against all odds is what you'll find in The Squirrel, the Worm, and the Nut Trees by Jimmie Powell.

Mr. Squirrel goes off to gather nuts so his family will have enough food for the winter, but when he gets to the nut trees he finds silk worm webs have destroyed the nuts. And worse, Mr. Worm doesn't care.

The Squirrel family makes it through that hard, long winter by rationing their food, all the while making plans for how they can outsmart Mr. Worm and be sure to have enough to eat next winter.

The Squirrel, the Worm, and the Nut Trees is a fun and easy way to show children the advantages of ingenuity. Through the Squirrel family's struggles children see how working together and creating a plan can make all the difference.

My children, ages 4 and 6, loved this book. The detailed and vibrant illustrations immediately captured their attention. They picked up on the personality traits of each character. My six-year-old called Mr. Worm sneaky and mean. And while I don't know if this was the author's intention, I think this would make a great book on how to handle bullies without resorting to violence and meanness.

The Squirrel, the Worm, and The Nut Trees is sure to be a winner with kids everywhere.


Title: The Squirrel, the Worm, and the Nut Trees
Author: Jimmie Powell
Publisher: Outskirts Press
ISBN: 978-1-4327-1326-3
U.S. Price: $15.95

The Little Candy Breathing Dragons by Gloria Clark--Book Review




Charming and full of beautiful, colorful illustrations, The Little Candy Breathing Dragons by Gloria Clark is a sweet tale.

Dragon sisters Maj and Nay-Nay set out on a journey, running into many needy creatures along the way and leaving behind the delightful smell of candy. Tootie Slim, a dog with no legs; Munckhkin, a lost bear; Mrs. Pookie, the blind cat; Dig, the dragon with no mane; and Butchie, the deer who falls into a well, are helped by the kind Maj and Nay-Nay, and they remind the dragon sisters of the gifts of God and the importance of obedience. And the wise old owl, Mr. Dee helps Maj and Nay-Nay find their way back home to Buffalo.

There is much to like in this short tale of Maj and Nay-Nay. In an easy and fun way children learn about random acts of kindness and obedience. Through Maj and Nay-Nay they learn tolerance and acceptance of others. Children witness the unselfish acts and love that Maj and Nay-Nay shower on people they only just met.

The ilustrations are what make this book a real treasure. Stunning and beautiful, the bright colors and full page size adds to the overall pleasing appearance of the book.

The book had a few challenges--which I picked up on--that did not disturb my children, ages 4 and 6. All the text is placed in one huge block on the left-hand pages--dialogue and narrative are mixed together--and reading the text out loud, therefore, sounds a bit stilted. And because of this format, some of the rhyming words do not flow smoothly because they come at awkward breaks in the story.

Amazon.com lists this book as being for ages 9 thru 12, but I would say that my girls and perhaps children a year or two older will enjoy this book, but the rhyming and overall story is probably lost on a more advanced reader--though the lessons inside its pages are good at any age.

Overall, our family enjoyed The Little Candy Breathing Dragons by Gloria Clark and will certainly read it many more times.

Title: The Little Candy Breathing Dragons
Author: Gloria Clark
Publisher: Outskirts Press
ISBN: 978-1-4327-1510-6
U.S. Price $12.95

Dr. James Hardt and The Art of Smart Thinking




For over 30 years James Hardt, PhD has been studying the electrophysiological basis of spiritual states. He has traveled to India to study advanced Yogis, studied Zen meditators and Zen masters, and explored Christian prayer and contemplation.

James began studying consciousness at the University of California San Francisco Medical Center while earning a Ph.D. from Carnegie-Mellon University. He discovered the link between brain wave patterns and peak performance. And he learned how people can take charge of their brain waves: with just the right feedback mechanism, they can create joy-producing and creativity-enhancing alpha waves.

Thousands of people, from Zen masters to Green Beret commandos to scientists and students and children and parents and grandparents, have joined Biocybernaut programs to achieve spiritual growth, emotional healing and peak performance, including boosting IQ and creativity.

You can visit his website at The Art of Smart Thinking.

The Art of Smart Thinking Synopsis:

How would you like to access all of your brain’s innate capacity to learn, invent, create and solve problems? Would it improve your life if you could think more clearly, access your intuition, reduce stress and anxiety, and prevent your brain from aging? We’ve all heard that we use only a tiny percentage of our brain s natural capacity. If you've ever wondered why, The Art of Smart Thinking will provide some answers and solutions.

Every experience you have is the result of certain brain waves. Unfortunately, most of us are only accessing two of our four brain waves, and the two left out, Alpha and Theta, are actually the most important for exceptional creativity and intelligence!

You can learn to produce these two types of brain waves on command, which will allow you to:


* Restore your youthful brain wave patterns
* Enhance your creativity, empathy and problem-solving ability
* Improve your personal relationships
* Reduce your feelings of stress, anxiety, anger and depression
* Enhance your special skills and abilities
* Achieve physical and mental peak performance states The Zone
* Improve your mental clarity and memory

You can find The Art of Smart Thinking at Amazon.com


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Monday, March 24, 2008

The Inside Scoop on Geoff Nelder



Today, I have the distinct pleasure of welcoming Geoff Nelder, an award-winning author of thriller, fantasy, and science fiction. Geoff is also co-editor of a new science fiction magazine titled, “Escape Velocity”. Geoff made three humorous contributions to Inside Scoop: Articles about Acting and Writing by Hollywood Insiders and Published Authors. We’ll talk to Geoff about his books, his magazine, and his contributions to Inside Scoop, but I warn you, Geoff might just crack you up.

Welcome to The Book Connection, Geoff. It’s great to have you with us.


Cheryl, the pleasure is all mine.

When you first contacted me about this interview you mentioned biscuits and tea. Sounds English. Is that where you hail from? Do you still live in England?

I hail from Earth, but I live in the bit called England.

How long have you been writing? Have you always viewed the world with a sense of humor?

I have been writing since schooldays, when I wrote skits for end of semester stage shows.

Who would you say is your biggest source of inspiration?

Tibor Fischer plays with words in a way that I appreciate, admire and make my chuckle muscles ache. Read his The Thought Gang and you’ll see what I mean. Less obviously, one of your countrymen living in Paris, Howard Waldman, has an inspiring flair for writing – try his Back There and his soon to be released Good Americans Go To Paris When They Die.


You’ve recently had a short story published in the literary magazine, Delivered. Would you like to tell us about it?

"Camera Shy" came to me while sipping lemon tea at a pavement café in the Place de Concorde, Paris. A thief dismounts from his bicycle to ‘help’ then steal a video camera from a tourist couple. They use his bicycle to give chase down in the Metro underground. The confrontation is where the twist and countertwist screws when the wife pieces together the real reason why her hubby is so keen to recover what is recorded in the camera. Writing a chunk of a story while on location always gives me a buzz. Hey I get a prize if readers vote for my Camera Shy in the March edition of Delivered – get it from Grimmy Productions.

Why don’t you tell us about some of the story collections you’ve contributed to.

My favorite crime story is "Fake Fake" that appeared in Shots Magazine. Two bungling burglars steal a famous Van Gogh painting and sell it to the wrong people. The story is based on a real Van Gogh stolen painting, yet to be recovered. I understand the police are taking their clues from my story…



Let’s talk about Escaping Reality. It’s listed on your website as a humor thriller, crime mystery with a dash of romance. Okay, how in the heck did you pull all that off?

It is the novel that grew inside me as a young man and finally burst out in 2005. The protagonist is thrown into prison and escapes to prove his innocence. He uses humor, like I do, to overcome adversity. If you are a kid trapped in an adult’s body then it isn’t difficult to find hilarity all around you, particularly when real adults are so po-faced.

How can writers add humor to lighten up their stories without making it seem out of place?

Good question. Next?

Oh, all right. Don’t deliberately use humor to lighten a story. It has to fall into the subtext naturally, or it will feel forced. Often an observation of real life is simple and simply funny. For example, from Escaping Reality is this:
'...a wheeled basket was pulling an old lady down towards the shops on the other side of the road.'

Even in a dangerous episode the way the endangered protagonist thinks helps him to survive trauma. Example:
‘Through half-closed puffy eyes I could see they were considering their next step. It wasn't so much their conversation because two of them hadn't said anything at all and the talkative one had only uttered two words. Actions speak louder than words. They seemed to operate with some sort of low-life telepathy. I've seen it before. Knowing looks, eyebrow elevation semaphore, short jerks of the head, shrugging shoulders and grunts. Why use complicated language, fraught with the dangers of using the wrong words and all the permutations of ambiguity?’



Tell us about “Escape Velocity”. How did it get started? Where can readers get a copy?

Robert Blevins runs Adventure Books of Seattle. He and I have edited his company’s novels and then we realized that between us we had a truckload of unpublished short stories we’d written. We threw some of them into an anthology, Dimensions, which is still available here Adventure Books of Seattle. Although we were satisfied with that publication it struck us that we could involve many other writers if we created a magazine. Now, only in its second issue yet the magazine sells better than the books. "Escape Velocity" has its own website for purchase here: http://www.escapevelocitymagazine.com

Do you accept outside submissions or is this magazine entirely staff written?

After the first issue, it would feel too much like vanity to use our own stories in the magazine – and so we defeat our own original purpose! We write articles and editorials but are open to science fiction stories from any good writer. Please read the submission guidelines in the above link first, even if you send a packet of biscuits stapled to your e-mail.

Let’s move on to Inside Scoop. How did you get involved in this project?

Marilyn Peake and I bumped into each other in a couple of writers’ forums and that latent spark of love and recognition burst into everlasting flame – or something like that.

Your article “Where the Spanish are German, the English are Scottish and the Sheep Wear Cowbells” is about what writers can learn by traveling to places they hope to write about. Is this something that you do frequently?

Absolutely. As a former teacher of Geography I used to get irritated by the use of theoretical models that were the vogue in the 80s. Kids would learn about NewTown and NewPort and know nothing about real places. Now I see that in stories and I see no point in making up places when there are so many colorful real and vibrant towns. But to grab a feel for those places I need to breathe in their air, smell their wild plants, and kiss their women, and so forth. It is a bit trickier in science fiction, but I have a ticket waiting for the next bus to Saturn’s rings.

You talk about Internet research in your next article, “Foraging the Forumiferii (or
using Internet forums for writing research)”. What can you tell us about this one?


I was commissioned by a cycling magazine to research and write a piece on why dogs chase and bark at cyclists. There are so many Yahoo and other forums inhabited by cyclists, dog owners, sound engineers and scientists that they presented an ideal opportunity to forage them for information. I had over 2,000 responses from ‘because they can’ to a book-length essay from an ethologist on canine psychiatry.

Your last article, “The Mob and Hotels: Elements of Research in the Writing of Escaping Reality” talks about the real-life background research you did for your novel. Sounds dangerous. Were you ever worried that what you uncovered could be harmful to you or your loved ones?

I am too ignorant and foolish to realize any danger I put myself and my family into at the time. When you have taught 5,000 people no matter how much I hoped they’d all become model citizens – at least whacky anarchistic but friendly citizens – some were statistically likely to become criminals. One such was a likeable rogue as a kid, and though he became a drug pusher and then gangland leader we kind of respected each other so I didn’t feel in any personal danger. The information he imparted to me was obviously not going to be relevant for a police operation by the time it came out in Escaping Reality. Having said that there were police raids in Maryport, UK after a local reporter noted the crime scene described in my fiction!

What’s up next for you? Are there future projects you would like to share with our readers?

My agent is hawking around my sci fi trilogy, Left Luggage. It has an original premise and will be bigger than Heroes, and more disturbing than Lost. My work in progress is Xaghra’s Revenge, a magic realism fantasy based on a real incident when in 1551 pirates abducted the entire population of a Mediterranean island. Their spirits seek revenge…

Is there anything you would like to add?

That cup of tea? My biscuit has sunk in it.

Just one last question, how are my interview skills? Before you answer, let me tell you that I have an over-protective husband who stands around six-feet tall and is dangerously close to two hundred pounds.

Your skills are outstanding, as is your hair.

Thanks for joining us today, Geoff. It’s been a wonderful and funny ride getting to know more about you and your work. Best of luck in all you do!

Thanks, Cheryl. Next time make it Earl Grey tea, and I’m partial to custard creams.

Wednesday, March 19, 2008

The Originals by William Hay



As you've probably guessed by now, I like historical fiction. While attending college I could never decide whether to major in History or English. I still haven't figured that one out.

Usually I tend to go for titles centered around the American Revolution, the American Civil War, and the late 1800's or early 1900's because I love the settling of the American West and the pioneering era. But after reading some of the posts about William Hay's book, The Originals, I'm seriously considering making it a part of my home library. Here, William will share more about his book and then you'll get to read an excerpt.


The Originals is the story of the Princess Patricia's Canadian Light Infantry from the eyes of William Dawson, a Canadian-born, and Boer War veteran, drawn back to the colours at the outset of the First World War. He enlists with the newly formed Patricias at Lansdowne Park in Ottawa beside many other veterans of the King’s service, leaving the lives they had started in Canada behind, answering Great Britain’s call to arms once again.

The regiments’ creation was the culmination of one man’s patriotic fervor at the outset of hostilities of that tragic conflict. The man was Hamilton Gault, a Boer War veteran--as were many of the Patricias--and a wealthy business man from Ireland. He made his home in Montreal, Canada, and remained a devoted imperialist. He obtained permission from the Canadian Government and the British War Office to raise the regiment after he fronted one hundred thousand dollars of his own funds for the venture; a substantial sum of money in 1914.

For Canadians, the PPCLI became a visual representation of the remaining ties of Imperialism, slowly fading in recent generations, but for the Imperial Armies, they were much more. They were experienced, battle hardened soldiers. Rare jewels among the sea of raw civilians flooding the recruiting offices.

The PPCLI was the first Canadian and Colonial battalion in the field of battle. Her veterans find it to be a war unlike any other, before and since. The static nature of the Great War is in it’s infancy during the winter of 1915. Trenches at their most primitive, a war of movement expected to recommence at any time. As the members of the Patricias gradually disappear from the ranks during the first winter of World War One, the static warfare remains unchanged, with no end in sight.

Their reputation of fortitude is put to the test in hastily constructed defenses at Bellewaerde Lake on May 8th 1915. There, the Patricias set a standard for all Canadian and Colonial troops to follow, a standard set in the sweat and blood of The Originals.

Although the story is about actual events, this is not a history book. In writing this novel, my goal was to reach beyond the scope of what happened during that first winter in Flanders and describe what it was like to be there. The main character of the story is fictional, but with few exceptions, what and who he encounters are real. The portrayals of the battles are based on research. The interpretation of character is my own.

Read an excerpt from The Originals:

The Patricias separated into their companies and moved forward in single file. The rain had changed into sleet, smacking onto their faces. Flares lofted about the sky, lighting up acres of water saturated fields, devoid of any vegetation. It was more a region full of bogs than the pasture it once was.

With each step, Dawson didn’t know if the ground would be firm or some mud-filled hollow. Occasionally he sunk up to his ankles. It required both hands to haul his leg out. Assistance from his mates was often necessary to pull clear. Muck accumulated on his boots. Water rolled down his spine. His hands were numb from being in water soaked gloves. The wind chill was freezing his exposed ears which he attempted to protect by laying his head against his collar. The line of men floundered through the sludge one step at a time. Dawson decided they’d be all night getting to the front line.

They came to a stop.

Dawson waited. Disoriented. Expecting the line to continue on, but they just stood there, in the open. There were no landmarks or signs. He was a blind as the next man and nervously fidgeted about trying to keep from sinking too deeply in the sludge. Dawson knew the right move while at the front was to lie on the ground, but no one else had dropped into the mire. He remained standing too, hoping they’d keep mov’in soon.

The rifle cracks, the occasional ‘tat-tat-tat’ of machine guns, the unmistakable pop or singing of bullets passing dangerously close, caused the men much consternation while they waited in the darkness. The shelling hadn’t ceased either, but thankfully was concentrated behind them, along the roads in the skeleton city of Vierstraat.
The line started moving.

The distinctive sound of water could be heard ahead. Lights reflected on the surface of some large accumulation right in the middle of their path. Dawson expected their guides would surely steer them around this mammoth puddle in the middle of the field. Soon he discovered it wasn’t a puddle after all. It was a river, and they had to cross it.

Dawson wondered if matters could possibly get any worse. Without one word of complaint, the Patricias slung their rifles, well clogged with mud at this point, and waded into the slow moving water. Any part of Dawson’s body which, by some miracle, remained dry, became soaked.

Water seeped into his deteriorating boots. A preverbal water fall began to enter down his collar and into his pants. The water was freezing. There were sounds of men sucking air in through their teeth. Discipline over powered the natural urge to shout as they wallowed their way across the icy stream in silence.

The opposite bank was a sight, its dirt walls now slick and mucky. With his rifle still slung, Dawson dug the toes of his boots into the slope and formed his hands into the shape of small spades. Weighing twice as much as he had when they arrived at Vierstraat eight hours ago, with a water soaked wool uniform, now covered by layers of mud, Dawson struggled to climb.

He lay still for a moment catching his breath and removed his forge hat. The sleet landing on his head felt like small needles.

“We’re almost their lads.” Niven’s comforting voice reached Dawson’s ears from somewhere in the darkness.

“We’re under observation now.” Jones added quietly. Dawson was unable to see him. “Take to the ground if we get flared, or Jerry’ll pink one of you.”
The line moved on.

Dawson held his rifle tightly, now looking more like a chunk of mud then a weapon of war. He followed closely behind his mates.

Flares rose up. In a moment they’d be lit up like daytime.

Dawson flopped to the ground. Mud seeped around his ears and collar. The natural reaction was to jump back onto his feet. Such a move would mean certain death. He lay still. Watching the shadows move about the muddy landscape as the flare slowly floated down and away. They rose again and continued their seemingly endless journey to the front line.

Another flare lofted up.

Like a drill movement on the parade square, Dawson and his mates dropped onto the ground as one. The mud continued to amass around his webbing, water bottle and haversack. The flare dropped from sight and like corpses rising from their graves, the Patricias rose out of the muck and continued forward. Each time he stood, Dawson felt he’d gained ten pounds.

A machine gun suddenly opened up on them. Into the muck they dove again.
Bullets whizzed past and spattered beside them. Dawson sunk as deep as he dared, searching for any protection. The Germans were positioned well on high ground some hundred yards away and fired blindly, pouring rounds over their heads.

More flares brightened their front and exposed their location to enemy machine gunners. Mud and water splashed Dawson’s face when rounds sprayed in front of him. Dawson knew he and his mates couldn’t stay where they were and live.

In the flares fading light, Dawson saw a ditch ahead of them. It wasn’t deep, but enough to afford some protection. Another machine gun joined in on the attack. Without being ordered, the Patricias took the initiative and began to drag themselves to the meager cover. Foot by foot Dawson pulled himself along, no easy task with the extra weight he’d amassing during the crossing.

The field gradually turned dark, with the extinguishment of the last flare. They jumped up and struggled the last fifteen yards to the ditch. He could hear grunts and heavy breathing around him from the other Patricias.

Flares shot up again. The ditch was directly in front of him. Five yards away. Barely visible.

He strove harder to make the distance. His legs burned with fatigue. Then the flares reached their maximum height and illuminated the field again, exposing the Patricias. Dawson threw himself down the slope of the ditch. Bullets sprayed behind him as he landed head first in knee-deep water at the bottom. Patricias splashed into the ditch beside him, right down the line. For the moment they were safe.

Bellinger tried to catch his breath. “I can’t see a bloody thing oot ‘ere.”

“Did we lose anyone corporal?” Niven, equally breathless piled into the water logged trench. “Is everyone here?”

“I don’t know sir.” Bellinger said.

“Lieutenant.” Jones dragged himself through the muddy water. “How many did we lose?”

“I don’t know sir. We’re just trying to establish that.”

“Get yourself off to our left flank and have the company sound off.”

“Yes sir.” Niven disappeared in the blackness.

“Has anyone seen McKinery?” Jones asked about their company commander.

“I last saw’im at Vierstraat sir.” Christie advised.

“All right then, take up a position as best you can. If anyone see’s McKinery tell him I’m headed to the left flank.”

“Sir?” Dawson whispered to Jones as he began to flounder away. “Where’s the front line?”

“Where? You’re in it.”

Pick up your copy at Amazon today!


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Tuesday, March 18, 2008

The New Feminized Majority by Charles Derber and Katherine Adam

I'm doing something a little different today. Charles Derber and Katherine Adam are on a virtual book tour with Pump Up Your Book Promotion to promote their timely nonfiction political book, The New Feminized Majority: How Democrats Can Change America with Women's Values, which was recently released by Paradigm Publishing.



I've always had an interest in politics and I actually ran for public office in 2003. Things didn't work out the way I hoped, but I still remain active in local politics as much as my schedule allows. One of the things that always interests me during political discussions with co-workers or friends is the reasons that we vote the way we do.

For some, they are going to vote Democratic or Republican because they always have. It doesn't really matter who the candidate is; all that's important is what letter appears after his or her name. For others, it's a single issue: be it the economy, ending the war in Iraq, reproductive rights, or any other issue that is most important to this voter; whichever candidate feels the same way she does, gets her vote. And there are many other ways in which voters connect to a particular candidate before stepping inside the ballot box.




The 2008 presidential primaries have certainly left us all hanging; and for the first time ever, the Democrats are going to have to choose either a woman or a man who has a multiracial and multicultural background to represent them against a Republican challenger. Both Barak Obama and Hillary Clinton embody the modern day Democratic Party, but some people, like authors Charles Derber and Katherine Adam, believe that Barak Obama is a more feminized candidate than Hillary Clinton.

Why?



On Page 144, the authors discuss how Obama's background allows him to understand the feminized values of "diversity, equality, and community". Derber and Adam go on to state, "He (Obama) highlights the importance of values in his own life and in the nation's politics. He emphasizes that there is a "common good" or universal set of values that can bring Americans together. He stresses change and the movement from self-interested partisanship to a feminized politics of the common good."

They go on to say, "Obama emphatically argues that values must drive politics."

Do you agree? Is Obama a more feminized candidate than Clinton? Must values drive politics?

Are you interested in finding out more? Then purchase a copy of The New Feminized Majority: How Democrats Can Change America with Women's Values at Amazon, Barnes and Noble, Borders, or at Paradigm Publishing's website.


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Monday, March 17, 2008

Catherine Delors and Mistress of the Revolution



I’m pleased to introduce lawyer and historical romance author, Catherine Delors. Catherine’s debut novel, Mistress of the Revolution, has been called engrossing, captivating, and incredibly well-drawn. I’m thrilled to have this chance to talk to Catherine to find out more about the novel that had me staying up late at night to read it.

Welcome to The Book Connection Catherine. I’m glad you’re here.


It is my pleasure, Cheryl. Thank you for having me here.

Let’s start by getting to know you better. Where did you grow up? How long have you been working to get published? What do you like to do in your spare time?

I was born, raised and educated in France. I was already an attorney when I immigrated to the United States. To answer the other part of your question, it took me four months, from the time when I began querying agents, to receive offers from publishers. But it had taken me almost two years to write Mistress of the Revolution.


What was your reaction upon finding out that your first novel was accepted by Dutton?

I was amazed, impressed, humbled, overjoyed… All the more so that Dutton also made me an offer on my second novel, For the King. That was one of the factors that made me choose this publisher over the other ones interested in Mistress of the Revolution.


Did your law career help you as you wrote this book or in understanding the publishing industry?

Certainly, the fact that I am a practicing attorney helped me understand the importance of the legal changes that occurred during the French Revolution. Many of those innovations, for instance with regard to civil rights, are still with us nowadays.

As for understanding the publishing industry, I am afraid my legal training didn’t help at all! Of course, I knew about intellectual property concepts, like copyrights, but I had no experience whatsoever working with the publishing industry. All I know now I learned from scratch or from what my agent, Stephanie Cabot, told me.



Let’s move on to Mistress of the Revolution. Where did the idea for this novel come from?

I remember that it started with a conversation with my father about the name of a street in Vic, the little mountain town where I had spent all the summers of my childhood. It was named, my father told me, after Pierre-André Coffinhal, Vice President of the Revolutionary Tribunal. I knew nothing of that character. So I began to look into his life. That piqued my curiosity, about him and about the French Revolution.

Your female lead is the narrator of this story. Why did you choose to use first person? Could the story be told as well from a third person point of view?

I suppose it could. But I wanted to feel close to my heroine, Gabrielle, and at the same time her circumstances and environment are so different from mine. So the use of the first person helped me put myself in her shoes. It bridged the gap of the two centuries that separate us.


Tell us about Gabrielle. Will readers relate to her? Why will they care what happens to her?

I do hope so! I have spoken with my first readers about Gabrielle. Some find her feisty, some see her as a victim of the status of women in 18th century France. Others question her parenting skills, though all agree she means well by her daughter. I like this divergence of opinions. It means that I must have succeeded in creating a complex and true-to-life character. Not everyone likes her for the same reasons. This is what happens with real people.


Gabrielle is, as expected, a beautiful young woman, but her love interest, Pierre-André Coffinhal is not your typical stunningly handsome man found in many romance novels. Did you use actual historical descriptions of Pierre-André to create his character?

Oh yes. The real Coffinhal, from contemporary accounts, was no beauty. He was unusually tall and strong, with a booming voice. People describe him as dark-haired and “yellow-skinned.” Remember that it was a time when fair skin was equated with beauty. Coffinhal’s roughness was not only skin-deep. He was a violent, passionate man. As Josephine, the cook, says in the novel, he showed his enemies no mercy, and received none. I liked all of these traits in a character. It was so much more fun to write than the regular pretty-girl-meets-handsome-guy story.


The romance that takes place in Mistress of the Revolution is set against the backdrop of the French Revolution. Has this period in France’s history always fascinated you?

Oddly enough, not. I had always found that era chaotic and confusing until I began my research for the book. But when I started digging, I realized how fascinating, how modern in many ways, the French Revolution is. I was hooked.


What type of challenges did working within the confines of actual historical events and with historical figures present as you wrote this novel?

Actually, I felt that working within specific confines helped me. In many instances, I simply let the predetermined unfolding of historical events drive the plot and carry my characters forward.


What’s up next for you? Will we see a sequel that continues Gabrielle’s story?

I just completed my second novel, which is set a few years later, also in Paris. But it is not a sequel. The characters are totally different. I am actually thinking of a prequel, set one hundred years before Mistress of the Revolution. Yet I already have a draft story of Gabrielle’s life in London. I might some day pull these English chapters together into a full-blown sequel.


Where can readers purchase Mistress of the Revolution?

The novel can be found at Amazon, Barnes & Noble, Borders and many independent bookstores. It is also available in ebook format. All the details can be found on my blog: http://blog.catherinedelors.com

Is there anything you would like to add?

Writing Mistress of the Revolution helped me at a very difficult time, when everything seemed to be going wrong for me. I feel that, thanks to the novel, my life was turned around. My mother says that I have been blessed in this endeavor of mine. I certainly hope that it continues this way…

Thank you for spending so much time with us today to discuss your work. I wish you all the success in the world.

BIG NEWS!!! AP REVIEWER M.L. JOHNSON SAYS THAT MISTRESS OF THE REVOLUTION IS "DEFINITELY A CONTENDER FOR ONE OF THE BEST READS OF THE YEAR." READ THE ENTIRE REVIEW HERE!

Also, don't forget to check out my review of this gripping and romantic story. You'll find it here.


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Saturday, March 15, 2008

Death Rider by D.J. Stephens--Book Review


Action-packed and filled with suspense, Death Rider by D.J. Stephens is a sure winner for historical western fans.

Brodie Jones sees his future and all his dreams dashed when an Apache war party descimates the Santiago hacienda and massacres the entire family, including Brodie's wife to be, Maria. With nothing left to live for and hell bent on revenge, the mountain man tracks the Apache warriors from Taos to Mexico and back again. After killing most of the war party, Brodie continues to track the remaining eight Apache warriors, only to find them ambushed and killed by scalp hunters. Now adrift and without a mission, Brodie wonders what he should do next. When a strange event finds him in the position of protecting the Apaches, Brodie's life is changed forever.

This is the first historical western I had read in a long time and the first novel by D.J. Stephens I had picked up. For all his toughness, Brodie is a sympathetic character whose entire life is turned upside down by the brutal murder of the Santiago family. Stephens explores through recurrent nightmares and dreams the depth of Brodie's pain and suffering. But Brodie isn't a man to be messed with. He savagely murders those responsible for the deaths of the Santiago family. Stephens' attention to detail brings this story to life and reminds the reader of the dangerous times in which Brodie lived.

The cover art is beautifully done. The rider on his horse looking out over the terrain as the storm clouds roll in is both striking and symbolic.

I eagerly look forward to reading more from D.J. Stephens.


Title: Death Rider
Author: D. J. Stephens
Publisher: Infinity Publishing
ISBN: 0-7414-4550-6
U.S. Price: $11.95

The Mansfield Lighthouse Cats by Charlotte Barnes--Book Review




Funny, thought-provoking, and filled with snippets of faith, The Mansfield Lighthouse Cats poetry collection by Charlotte Barnes will delight and entertain readers from all walks of life.

A lover of classic poetry, I don't always feel in tune with contemporary poetry collections, but Barnes put together a collection that leaves the reader feeling emotions as diverse as the poems that fill its pages. The lightheartedness you feel over reading about the stray cats of the Mansfield Lighthouse, turns to sorrow as you read of lonliness in "Lonely Times Two", which soon turns to a desire for reflection upon reading how the writer relates a "Little White Snowflake" to herself, and then you become inspired as you read "Take Your Dreams for a Walk".

My personal favorites are "The Mansfield Lighthouse Cats", "If Troubles Were Bubbles", "Shade Tree Reflections, and "Lord, Pick Me Up."

The cover of this book is beautiful. As a lover of the East Coast and of lighthouses, the soft colors of the puffy clouds and the rippling waves surrounding the rocks relaxes me.

The Mansfield Lighthouse Cats by Charlotte Barnes is certain to attract readers as diverse as the poems Barnes chose for this collection.


Title: The Mansfield Lighthouse Cats
Author: Charlotte Barnes
Publisher: Publish America
ISBN: 1-4241-6749-3
U.S. Price: $16.95

The Truth: (I'm a girl, I'm smart and I know everything) by Dr. Barbara Becker Holstein--Book Review



Funny, thought-provoking, and inspiring, The Truth (I'm a girl, I'm smart and I know everything) by Dr. Barbara Becker Holstein is sure to be a hit with young girls ages 8 to 14.

Based upon Dr. Holstein's women's self-help book, The Truth (I'm 10, I'm smart and I know everything), the girl's version has a hip new cover, new introduction, and new discussion questions.

The format remains the same: a series of diary entries from a young girl who shares everything she thinks and feels about life at home and at school, her dreams for the future, and her knowledge of The Truth. Young girls will follow along as this girl talks about how her parents' fighting makes her feel. They'll witness her fall in love. They'll even get to be with her as her body begins to change. And as young girls move along through two years in this young journalist's life, they will be reminded of their inner strength, their talents, and their future potential.

The Truth (I'm a girl, I'm smart and I know everything) is a book that girls and their mothers can read together. It will also make a meaningful gift for any young girl age 8 to 14.

Once again, Positive Psychologist and Happiness Coach Dr. Barbara Becker Holstein teaches her readers how to learn about themselves in positive ways.


Read my 2007 interview with Dr. Holstein here


Title: The Truth (I'm a girl, I'm smart and I know everything)
Author: Dr. Barbara Becker Holstein
Publisher: Enchanted Self Press
ISBN: 978-0-9798952-0-3
U.S. Price: $6.95

Friday, March 14, 2008

Mistress of the Revolution by Catherine Delors--Book Review


Well-drawn characters, gripping storylines, and rich descriptions fill the pages of debut author Catherine Delors's Mistress of the Revolution.

Set during the years leading up to and through the French Revolution, this epic novel finds young noblewoman Gabrielle de Montserrat falling in love with commoner Pierre-Andre Coffinhal. Her brother forbids their union and forces her into a marriage to an aging and wealthy cousin who mistreats her.

After the sudden and unexpected death of her abusive husband, Gabrielle goes to Paris to make a life for her and her young daughter, Aimee. As the threat of revolution hangs overhead, Gabrielle becomes a kept woman and a lady in the court of Louis XVI and Marie Antoinette. When Gabrielle is faced with the guillotine, she reaches out to Pierre-Andre, who had fled to Paris to become a lawyer when he was denied her hand in marriage. The two lovers search for a way to hold onto each other, as violence swirls around them; pulling everyone and everything into its grasp.

Every so often I pick up a book whose hook has such dramatic impact that I must read it again. Such is the case with Mistress of the Revolution by Catherine Delors. Many years in the future, the narrator, Gabrielle tells of the exhuming of the bodies of the late King and Queen of France, thereby setting the scene for all that will unfold in subsequent pages.

While a first person narrative often distances the reader from the story, Gabrielle never once distracted me from all that was happening in and around France in the late 1700's. A tremendous amount goes on within the 450 pages of this fascinating and captivating novel. Fully explored were the relationships between Gabrielle and her family, Pierre-Andre, her lover Villers, Aimee, and the friendships she maintained and lost through the years. Rich and vivid details flowed throughout, drawing the reader deeper and deeper into a story that realistically portrayed the plight of the late 18th century woman and the tragic events that unfolded in France during the reign of King Louis XVI and beyond.

My one and only disappointment is the cover. The artwork was taken from a famous painting titled, The Stolen Kiss, by Jean Honore Fragonard. The image was reversed so that the table and chair are on the left and the gentleman stealing the kiss on the right. I would much have preferred to have seen more of the image of the gentleman--which is hidden inside the book flap--than the furniture, but it is still a strikingly handsome cover.

Mistress of the Revolution is a story of impossible love pitted against the most tumultuous time period in France's history. It is a novel that will reward the reader in every aspect and leave her desiring to read it again as soon as the last word is read. I eagerly look forward to the next book by talented newcomer Catherine Delors.


Title: Mistress of the Revolution
Author: Catherine Delors
Publisher: Dutton (Penguin Group)
ISBN: 978-0-525-95054-7
U.S. Price: $25.95

Guest blogger Dyan Garris, author of Money and Manifesting

I am giving up the floor today (see how generous I can be) to author Dyan Garris. For many years Dyan Garris has been counseling clients in order to help them move forward in their lives. She is clairvoyant, clairaudient, and clairsentient. In addition, Dyan is also what is known as a voice recognition psychic and trance channel. This means that she can help her clients via telephone, which is how she conducted her readings throughout her career. She is a frequent radio guest on the Jay Grayce show at Tribeca Radio in New York City and has been interviewed by numerous other radio hosts. Recently, Mystic Pop Magazine interviewed her for their January/February issue. Living In Style TV featured her products in their 2007 holiday show.

Bowing out now, though you know it's hard for me.



Think Outside The Box - How Limited Beliefs and Fear Keep Us From Getting What We Want By Dyan Garris

What we believe definitely has power to shape our lives. The chatter that goes around in your head definitely has power to shape your life. But this is only part of the story. Ultimately it’s what you DO with your belief system that has power to transform your life.

For illustrative purposes, let’s say you live in a box. The inside of the box is cozy and comfortable. You’re happy in there. But the box has no windows. One day you decide you need to broaden your horizons so you gingerly cut a large hole in the side of the box. This gives you a very nice view of what is going on outside your living quarters. You gaze out in wonder from the safety of your little dwelling and you can see leafy green trees and other interesting shrubbery.

After a while you decide to expand your view so you cut a hole in the opposite side of the box. Now you have yet another view of the outside world. Out of this window you can see horses grazing peacefully right outside your box. You are amazed. You had no idea this was going on outside.




At some point you decide to open an additional portal on another side of the box. You’re a little scared by this because you now think you may be cutting too many holes in your abode. You begin to doubt yourself and start thinking that you may be making a place for rain to get in rather than expanding your view. You worry and fret about compromising the structural integrity of your box. But then you tell yourself that it worked out just fine on the other sides, so what could possibly go wrong?

You tell yourself that if you don’t cut the additional hole you do have a nice view out of two windows and maybe that’s just fine. But you’ve decided that you don’t want to be limited anymore; you want to see what else is going on out there. So you gather your courage and do it anyway. Now you have a completely different view. You can see a beautiful lake out there. You are in awe. You decide to do this on the remaining side too, this time with enthusiasm instead of fear. Now you have a panoramic view. It’s lovely and enjoyable and you are quite pleased with yourself for taking a few chances.

Some of you reading this were thinking that something bad was going to happen with all of this hole cutting. What is this based on? Why is your mind going to the negative? Study where these negative belief systems have originated from. Fear is very limiting and will keep you from getting what you desire.

Now here is what is important: You can sit there inside the box for the rest of your life, simply enjoying the view, or you can venture outside. You will discover that when you go outside you can ride the horses to greener pastures, eat the luscious ripe berries from the shrubbery, fish and/or swim in the lake. If you stay inside you can’t do any of that. You can sit in there and wonder when a fish will jump out of the lake and land on top of your box or when fresh berries will arrive at your doorstep. It is a choice.


Dyan Garris is the author of Money and Manifesting, Voice of the Angels – A Healing Journey Spiritual Cards, The Book of Daily Channeled Messages, Talk To Your Food! Intuitive Cooking, and Fish Tale of Woe – Lost At Sea. She publishes a Daily Channeled Message at Voices of the Angels. In 2005 she created a series of music and meditation CDs for healing, chakra balance, help in sleeping, relaxation, and vibrational attunement of mind, body, and spirit.


This virtual book tour has been brought to you by:

Wednesday, March 12, 2008

Tinisha Nicole Johnson and Searchable Whereabouts



Tinisha N. Johnson is an author, writer and poet. Her newest book, Searchable Whereabouts, a mystery novel, was released Feb 1, 2008. Tinisha resides in Denver, Colorado with her husband and two children. She writes for a local urban magazine called Denver's Finest Underground. Tinisha's passion for writing began at the early age of eleven. It has always been her hobby and pastime and at the age of twenty-one, after her son was born, she took her writing seriously and began pursuing it as a career.

You can learn more about Tinisha at her website: http://www.tinishanicolejohnson.com/




Searchable Whereabouts is the story of woman - Rahkel Williams, who's trying to unravel the mysterious death of her beloved uncle. However, after finding clues into his life, she wonders if he was really the man she knew. She requests the services of private investigator, Darrin Miller and it's not long before things get personal between the two. Soon, strange things begin to happen, including people of interest in the case who turn up murdered. Rahkel doesn't know who to trust, and the truth of who murdered her uncle could either save her or kill her. But at all costs, she must find the truth.

I thought this book sounded fascinating. How often have you discovered that someone isn't who you thought they were? And how often does that lead to you being in danger? But what interested me even beyond that, is that this book was written by an African American woman. Maybe that shouldn't matter, but I can't remember ever picking up a mystery novel by an African American author, so I wondered, am I living in a hole or something? Have I just managed to avoid these authors? So, I needed to ask Tinisha if she faced challenges in getting her book published because of her ethnic background. Here's what she had to say:

Considering there aren’t that many Black mystery authors, I have run across some challenges, but I definitely haven’t allowed that to deter me, not even a little bit, because writing is my true passion.

However, being an African American mystery writer, people really want to know if your book is good enough; you’re critiqued almost just a little bit more. People want to know if there is a real mystery to be told and of course that is understandable. I’ve even received one comment about the book that it wasn’t urban enough; to that I don’t have a comment. But all in all, I try to view the challenges as opportunities -- An opportunity to get my name out there, and my book’s name out there.

I’m the type of person that makes myself think on the positive side rather then letting disappointments get the best of me. So far, regarding my mystery novel, Searchable Whereabouts, I’ve gotten some good reviews, so I am very happy about that.


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Thomas Wade Bounds Helps Teens and Parents with Choices

Businessman and author Thomas Wade Bounds is a husband and father of two. Here, he shares with us his reasons behind writing his new series for teens, Choices, the message he's trying to relay in the first book of this series, My Secrets, and what the next book will be about. After that, Tom will share his personal reflections on writing Choices, My Secrets.



My thoughts were for my oldest as he was approaching his first year in high school and I wanted to share with him some things he might come across. He would face challenges in a variety of ways: religion, faith, relationships, parties and so on. How would he know what to do or how to handle it with out being intimidated or reluctant to speak with us about it? I wanted to get a message across without coming over too strong or even boring him so he wouldn't respond. Well, Choices, My Secrets worked. He opened up. I listened and he talked; he asked questions and before we knew it we had a very important conversation going on about many issues that he will most likely face. He has a better understanding now, and an experience he can use and identify with to encourage him to make better choices. Most importantly, he knows he can lean on God and trust Him and seek His wisdom, as well as, his parents.

We can not make all the choices for our kids, but we sure can help them identify the ones that may be harmful or even deadly with good examples that have strength to stand on.

I saw the impact Choices, My Secrets had on him and a few others that read the story, and I decided to make it a series in the hopes that this could help others identify issues that they may come across. An experience, good or bad, most likely will have an impact on how we make our choices.

The messages that lie within this particular story happen daily in our world. After a summer romance and a night of passion, Rachel discovers she's pregnant. Her boyfriend has gone off to college and doesn't return her messages. She is left to handle this on her own, afraid that she can't confide in her parents or her friends, and that she can't turn to God for guidance. She decides to have an abortion, but a life-changing experience could lead her in a different direction.

I wanted to show with an up-close experience how some of the choices we make without thinking them through can affect our life and the lives of others. Life has its challenges and we sure don't need to add to them through choices that could have been prevented.

Choosing to have a sexual relationship during the teen years is dangerous in many ways. Celibacy is the best choice. Teens don’t need to be ashamed of that; it is actually cool. You may want to read the story a few times to gain all the messages. Teens seem to pick them up more quickly than adults, who may have a number of their own experiences.

Life is a precious gift from our Creator, no matter how you look at it; but sometimes we do not see it that way. We all have been given the power of free will and choice. The message is to stop and think about that choice before we make it, so we can prevent having to make the most trying choice – considering ending a life. Part of being responsible is making responsible choices first.

I hope that the reader will pick up on all the messages in this short story. There are many. It is not just about abortion or life. Of course, those are what stand out the most. Life is important and special at all stages. It is how we handle those stages and how and who we turn to when in need. Teens do not always turn to God or parents during trying times. Sometimes they just keep it bottled up inside and lose hope. I hope that Choices the series will encourage teens and parents to come together and build that very important part of being a family - mutual trust – trust to allow the teen to make choices and trust to consult the parent when doing so.

I have also been working on my second short story that deals with teens and the night life of parties and the aftermath. This story will take you into one week of several lives and the struggles of being a teen dealing with seeking to be accepted and sometimes crossing the lines to feel cool. It reaches deep into the depths of the “after world” – the world where the consequences of bad choices can take you. This is a reading experience you don’t want to miss.



My Personal Reflection on Writing Choices My Secrets

Looking back I was not sure if I could do it. I was never big on writing and really was not sure where and how to start. I asked my sister, who loves to write, if she could write it for me. I told her of my thoughts and she asked me to write them down and then send them to her. So I did that and before I knew it I had completed the story as a draft. Before I knew it my quest had begun. I did it or did I? It took me time to get up the nerve to ask someone to read it. I thought, of course, who would read something I wrote? Who and why would this help anyone?

On the day that I started Choices, I had a completely different title for it. I called it “A Front Seat View”.

Why? The purpose, I guess, in my mind, was what I wanted to give my son and daughter. Who wouldn’t want to give their child a glimpse of what life’s choices can bring? My daughter at the time was constantly asking me if she could sit in the front seat of the car when we go on drives or to the store and I always told her, not yet, wait until you are older. Then one day she asked me, "Why Daddy?" I explained, it was the law that when you are 9 you can sit in the front seat. She looked at me shaking her head, then she responded with a pretty strong question. "Daddy don’t you want me to see where I am going so if you get lost I can help you find your way?"

I thought about that long and hard. "Yes, I do want you to learn that. That is exactly what I want you to learn."

Wow! A front seat view could be helpful. God offers us this with stories from the Bible. Indeed, we have clearer vision and insight from reading the Bible, but do we use that to our advantage?

Choices, My Secrets simply lays out a view of one's choices and the consequences of them. So the readers can see where they may need to turn so they don't make similar choices. Learning one's path is not so bad when it develops a better understanding of that choice and its potential consequences.

Wouldn’t we love to have a crystal ball to help our teens and to guide them to make the right choices; even an adult would like to have a helping hand to make better choices. We tell our kids stories about our lives. Some of them they do not want to hear and others they might think we should not have told them, but when a story is told about someone their own age there is some serious merit to it. It's wisdom they can use and think about.

I look back at my experience while writing Choices, My Secrets and reflect how important it is to listen to what kids say. Sometimes they tell us just what we need to know and how to help them develop better habits and choices.

Rachel spent time wanting instead of listening to what her heart and mind was telling her. She had the answers already, but did not listen clearly to them nor did she know how to listen to them. If she had taken the time to ask her parents questions about what she was feeling, and her parents had taken the time to ask her about what was going on, they might have been able to change the course of actions that she took.

I enjoyed the time I took to write this story. I have learned a great deal from it, as well as, from the people I have come to know who have shown me and advised me to help my journey as a first time author easier.

I have learned a great deal more about God and His wisdom, and through that, my wisdom has grown and so have I. I plan to use this knowledge to write better stories with more impact and excitement, but most importantly, realistic journeys that can be shared with teens and parents to enhance their wisdom during their journey through life and the challenges it brings.

I thank God for His words He has given me.

Cheryl thank you for your efforts and interest in Choices, you have offered great advice and made my journey simpler. I wish I had known you during the writing of My Secrets.

I would also like to thank Pump Up Your Book Promotion and all involved in helping Choices, My Secrets reach the audience that it is intended for.

In Christ,


Thomas Wade Bounds

One lucky person who comments on any blog stop during Tom's virtual book tour will win a free copy of Choices, My Secrets.

You can purchase a copy of this book that will help jumpstart parent/teen discussions at Amazon or Xulon Press. For more information about this series, visit Heritage Values.

This virtual book tour has been brought to you by:

Monday, March 10, 2008

Travel Across Time with Linda Kay Silva



Joining us today is author Linda K. Silva whose paranormal/urban fantasy novel Across Time was recently released by Spinsters Ink Books. Linda has a Masters in English and has been a teacher for twenty years. She is a multi-published author in a variety of genres. We’ll talk about some of this today and also how her fascination with past lives and soul mates plays a part in Across Time.

Welcome to The Book Connection, Linda. It’s great to have you with us.


It’s great to be here…and so much fun!

Let’s get started by finding out more about you. What came first, the teaching or the writing? What’s the first story you remember writing and what did you do with it?

The writing. I started writing when I was 21, and I wrote 4 horrid novels, wasting paper along the way. I was a cop for two years, until I decided that I really liked living, so I quit and went into teaching…which I love.

Do any of your teaching experiences or other interests work their way into your novels?

My first 6 novels were the Delta Stevens Mystery series. Delta was a cop who had a very colorful group of women friends who helped her in and out of trouble, so I’d say, “Yes, that work experience created my first series.” The only difference is that Delta was a much better cop than I was. I was not suited to that role at all, so I preferred writing about it instead of living it.

For my latest, Across Time, I had my past lives read twice, and the readings were too close to be considered coincidental. I knew that some day, I would write a book about time travel, but not in the physical sense. I taught history for 15 years and just love dabbling in it!

You’ve written novels in several genres. Do you prefer one over the other?

That’s like asking which kid do you love most! Still...the truth is, I am torn between Jessie, in the Across Time series, and Echo, who is the protagonist is a paranormal series I’m already 4 books deep in. I love the supernatural…and those two characters allow me to play in their worlds.

Where did the idea for Across Time come from?

I have always been fascinated by past lives. Past lives fascinate me. Love at first sight, five year olds who can play Beethoven, people who come out of comas fluent in a foreign language…past lives at work. What other explanation is there when we meet someone for the first time, yet they feel so familiar, so comfortable to us? Where do our phobias come from? How is it we know some of the things we know, yet have never learned?

I pondered these questions as I delved deeper into Druidry and the mystical arts, and the deeper I dug, the more I could hear Cate, a Druid Priestess from the first century, calling.

She wasn’t calling me. She was calling Jessie. And so, hearing this, I knew the novel needed to be written…that it was time to create a series and a character who manages to find herself only when she steps through the portal and into a hostile world where Druids are being hunted, their way of life destroyed. Jessie (and the rest of us) can only know where we’re going when we know and understand where we have been.

Cate needs her to save the Druids from annihilation, Jessie needs Cate to help her on her true path, and I needed them both to tell their story.

Tell us about Jessie Ferguson. How will readers relate to her? Why will they care what happens to her?

Great questions! Women readers will relate on so many levels because we all hear that inner voice from time to time. Call it instinct, call it women’s intuition, the fact is, we’ve all heard it. Some of us truly listen to it, while others don’t at all. This voice comes from our past…our past knowledge and wisdom returns to us through residual memories. Readers will want to see how revisiting her own past saves her present life; a life that has no goal, no ambition, nothing but a great big void. Many of us of feel or have felt that void and have no idea where it comes from. I believe it comes from not understanding our purpose here in this life. We think love will fill it, or a career, or children…and then we are disappointed when, even with full lives, that dull ache still exists. That ache means we are not living according to our purpose, and that purpose can be found by understanding what our purpose was in the past. What did we DO in our other lives to make an impact on the world? Once Jessie discovers that purpose, it changes EVERYTHING about her life.

You’ve drawn on the emotions of loneliness and emptiness in this novel. How difficult is that to write? Did you ever find yourself becoming overwhelmed by the emotions your character was experiencing?

Oh my…yes. I seldom feel lonely or empty…my head is too busy working on the next book for me to really take a breath, but I could really relate to Jessie’s feeling of “Why in the hell am I here?”

I killed a major character in Tory’s Tuesday, and I couldn’t write for three days. I just grieved. I know it sounds silly, but I care about my characters and their emotional well-being. I’ve been fortunate in my life to have experienced many different kinds of successes; athletic, academic, career, and now writing, so it discombobulates me when I have to write about someone being to incredibly lost. Let’s just say, I sighed with relief when Jessie finally realizes her calling.

When Jessie moves into a Victorian Bed and Breakfast her life takes an interesting change. She gets a call from her life two thousand years in the past. What do you believe about past lives?

We cannot understand where we’re going until we know, and remember where we’ve been. There’s a reason why a 10 year old child prodigy has the ability to grasp courses as difficult as med school courses and it has nothing to do with miracles or genetics; it has to do with memory…soul memories…residual memories. These memories account for things like déjà vu, love at first sight, and unexplainable phobias. Ask almost anyone you know if they have a phobia they don’t know the origin of, and 9 times out 10, they will tell you about something that frightens them and they have no idea why.

How can a ten year old who is not developmentally ready for anything greater than long division go to med school? She isn’t just brilliant. She remembers more about past knowledge that the rest of us do. She is capable of accessing past knowledge, experience, and memories that enable her to do things far outside the realm of other children. We all have those memories, but we pass them off as something else for fear of being labeled crazy. We can’t explain how it is we know something. We can’t explain away the time we met someone for the first time and after ten minutes, felt like we’d known them our whole lives. We can’t even explain why some of our dreams just feel so real.

They feel real because once upon a time, they were.

I know I might sound like a loon, but I had my past lives read twice by two different women in two different states and their readings were too close to be coincidental. One said I had lived 83 lives, the other said 82. One commented on feeling some sort of warrior spirit from my past, and I have a large women warrior tattoo on my back. Apparently, I spent many of those lives (by BOTH accounts) in Germany…which is so strange considering I was taking college German as a sophomore in high school because it came so easily to me. (And don’t ask me why I hate the circus, even though I have never been!)

What type of research did you perform to create the life that Jessie lived many years ago?

I taught history for 15 years, so I already had the textbooks necessary for the verisimilitude of the ages Jessie travels in. I read up on Einstein’s and Hawkings’ concepts of time, before realizing that time is the final frontier and I can play in that playground any way I want. I have almost every book on Druidry imaginable, and so I read through those to see where the wiggle room was. Jessie cannot change the future…she can only become a part of the past that actually created the future in the first place. We must remember one thing about history…and Jessie learns this down the road: History is written by the victors, not the vanquished…those “eyewitness accounts” are subjective, and often, erroneous. There are also gaping holes in history, and it’s those hole I get to manipulate. It was written that Queen Boudicca turned her chariot around for some inexplicable reason. Why can’t Jessie be that reason?

See? How much fun is that? And trust me…it becomes even more fun when she becomes a 16th century pirate facing off against Queen Elizabeth, an Egyptian priestess facing the pharaoh Akhenaten, and a soldier facing hourly death in the Viet Nam War.

Let’s talk about soul mates. Soul mates play a significant role in Across Time. How deeply do you believe in the power of soul mates? Do you believe a person can have more than one soul mate in their lifetime?

I believe soul mates exist, but the idea of there being only one doesn’t set well with me. We travel through our lifetimes with many others…sometimes, our soul mate is our lover in one life, our best friend in the next, our brother of sister after that. What Cate and Maeve attempt to do is stay connected throughout the ages by remembering, for, “It is by remembering the past that we create a better future.” A soul mate doesn’t have anything to do with sex or gender. It’s someone who knows us and understands us in a way unlike anyone else. We are drawn to these people for reasons we might not understand. Many of us are friends with people who are so different from us, so polar opposites, and yet, they are in our inner circle. Why? What’s the draw to be so close to someone who is the antithesis of ourselves unless there is a deeper connection?

This novel is the first in a series of books about Jessie’s travels across time. Can you tell us a little bit about your plans for the next book or books?

In a nutshell….here’s where Jessie is going after Across Time

Second Time Around

Jessie goes back to Elizabethan England as pirate Captain Spencer Morgan. Spencer is trolling the seas looking for a box that Francis Drake is also after. This box, as we discover later in the book, was once buried by Lachlan and contains the recipe for the transmutation of lead into gold. Jessie deals with Queen Elizabeth, Francis Drake, and we see Cate and Maeve again.

Third Time’s a Charm

Jessie is called to the past where it all began…ancient Egypt, when pharaoh Akhenaten ruled and tried to change the religion in Egypt. There, Jessie is Sakura, a priestess of Isis, who is trying to save the religion. Jessie’s attentions are split because Daniel, her little brother is being haunted by spirits living in the Inn. These ghosts in Daniel’s room are from a family that was killed in the Inn long ago…a family whose father was an Egyptologist. Jessie must uncover the mystery of the ghosts before she can help Sakura save the life of Queen Nefertiti.

Just Killing Time

Jessie is called back to the 16th century and finds that it’s 15 years since she last saw Spencer. He has called her because Duncan’s son has gone to help Mary, Queen of Scots escape from prison and Queen Elizabeth has put a warrant out for his arrest. On the open seas, Spencer /Jessie run afoul of one of the most famous female pirates in history, Grace O’Malley. With Grace’s help, they are able to find Barclay, and help ease the pain of the death of one of history’s greatest Queens.

In the Nick of Time

As the Guardian of the Gate, it’s Jessie’s job to protect the portal, but the one person she did not expect to use it, gets lost in time: her brother, Daniel. To save him, Jessie must deal with the Sidhe of the Otherworld and make a deal with them. They want her to protect Merlin’s daughter from Queen Mab, and if she does that, they will tell her where in time Daniel is: Viet Nam during the Viet Nam War. Jessie must find a way to save Daniel before he is killed in Viet Nam, and she must save Merlin’s daughter or lose more than just her brother.

I just finished In the Nick of Time and am now going back over the last four in order to tie things together and make sure the Easter eggs pay off from one novel to the next. It’s my understanding that you want to bring Second Time Around out in 2009, so I’ll need to know who to send the latest revision to. I am having a book launch party next weekend, and people from all over the country are flying in for it. I am so fortunate to have that kind of support…so hopefully, they’ll do all they can to help sell the book as well.

Where can readers purchase Across Time?

Spinstersink.com(I make more money if you order from the publisher!)
Amazon.com
You can also order it from Borders.

What’s up next for you? Will you be concentrating on anything other than continuing this series?

I have a second series I am working on involving the paranormal community of empaths, telepaths, and telekinetics living and training out in the bayous of Louisiana. I just finished the 4th of that series and will be sending that manuscript off to see if I can’t procure an agent.

Is there anything you would like to add?

Yes. Whether or not readers believe in past lives or time travel won’t play a role in their enjoyment of the book. The characters really carry this story and I believe that most of us have been in Jessie’s shoes at one time or another in our lives. She tries everything from drugs and alcohol, to sex in an effort to fill that yawning chasm in her spirit. Most of us have felt that throbbing, dark void in our hearts, and so we’ll root for Jessie as she discovers that there is so much more to her than just being alive. There is so much more to every one of us…if only we could dig deep enough (or far enough in time) to find it.

Thanks for sharing so much of your time and talents with us today, Linda. I look forward to hearing more about this series as it progresses. Best of luck in all you do.

Thank you so much. I have really enjoyed these questions and hope your readers will feel free to come by my blog and say hi or ask any questions I haven’t answered here.

This virtual book tour has been brought to you by:

The Inside Scoop on Lee Barwood



Today, I welcome multi-published author Lee Barwood. Lee is just one of the many writers who contributed to Inside Scoop: Articles about Acting and Writing by Hollywood Insiders and Published Authors edited by Marilyn Peake. Many of the articles found in this book were originally published in “The Golden Goblet” Newsletter, voted TOP TEN Finisher in the 2007 Preditors and Editors Readers Poll. Two of Lee’s contributions appear in Inside Scoop: “The Beat of Gaia’s Heart” and “Klassic Koalas: Ancient Aboriginal Tales in New Retellings”. This is just one of the many interviews I will be performing with the writers who contributed to Inside Scoop.

Welcome to The Book Connection, Lee. It’s great to have you with us!


It’s great to be here – thanks for having me!

Let’s get started by finding out a bit about you. Where are you from originally? Do you still live there?

I’m from Jersey City, NJ, and currently live at the Jersey shore. I’ve lived a few other places in the interim, though – such as the Ozarks, where my novel A Dream of Drowned Hollow is set.

How long have you been writing? Are you a full-time novelist? What do you like to do in your spare time?

I started writing stories back in grade school, although I didn’t really start writing seriously till a friend and I wrote a TV script for “Voyage to the Bottom of the Sea” in eighth grade and sent it off. We were terribly disappointed when they sent it back unread. I began writing seriously for publication, though, in the seventies.

While I’m not a full-time novelist at the moment, I have been from time to time and it’s creatively wonderful, if financially nervewracking. But you can get into a “flow” when you have more time that allows you to be a little freer, a little more creative, than when you’re working on a tight schedule – particularly when you’re also dealing with a day job that demands a lot of your energy and creativity.

So in my spare time I write. I also do a lot of reading, play and compose music – I play harp, and am a hospital-certified harp practitioner (play at the bedside in hospitals, nursing homes, and hospices) – and then write more. I also do a lot of research for potential projects and projects that I’m working on. There’s never an end to research, if you want authenticity in your work. Besides, it’s fun – I love learning new things.

You have written books in several genres. Do you prefer one genre over the others?

I like fantasy and mystery, probably, the best; the former for its infinite possibilities and the latter for its intricacy. Anything at all can happen in a fantasy novel, and I think in a lot of ways that’s more reflective of the way things can happen in real life: occasionally events take a totally unexpected turn, people behave in ways that no one would have expected, and the impossible suddenly becomes possible (of course, not as often as it does in fiction).

Mystery novels offer us the chance to figure out complex circumstances in a way that challenges us intellectually; although we’re given more information than one might normally have access to in real life, still one has to put together the occurrences in a way that solves the puzzle, and good novels can make us realize that there are so many more ways to put together the facts than the solution presented to us that we should be cognizant of that fact in everyday life – and remember to think outside the box when we’re confronted with a set of “facts” that may not be as they seem.



Let’s talk about your contributions to Inside Scoop. How did you get involved in this project?

I’d met Marilyn through an online writing group – she’s incredibly generous with her knowledge and talents, by the way, and it was her suggestion that led me to Double Dragon and my first novel being published – and when she was beginning "The Golden Goblet", her online newsletter, of course she let me know about the project. Then later on she invited me to write an article for it, and that’s how I came into the picture. I was thrilled to be invited, and am honored that the end result made it into Inside Scoop.

“The Beat of Gaia’s Heart” is an essay about ecofiction. What is ecofiction? Are certain genres more open to being written and classified as ecofiction than others?

Ecofiction is really a pretty broad term, and I don’t know that it’s restrictive in which types of fiction can fit under its umbrella. If it has to do with the state of the Earth, with the way people feel about it, whether they believe in global warming or not, how they treat its creatures and its land and resources, it’s ecofiction. If it has to do with future survival because of a dearth of food, water, or other things, it’s ecofiction. And if it has to do with how two people react to one another because of how they view the Earth and its creatures, or how they treat people in other nations, or even whether they have a sense of entitlement to “more” and believe that others have a lesser right to the same resources, it can be ecofiction.



My novel A Dream of Drowned Hollow is ecofiction; it pits a young woman with uncanny powers against a man who’s determined to bring prosperity to the poverty-stricken region of the Ozarks he was raised in, no matter who gets in the way. It’s a suspense/thriller. It’s also a fantasy novel, because the Earth itself, and elemental spirits, get involved in the conflict. As ecofiction, it was a little ahead of its time when it was written, and even though it won the late Andre Norton’s Gryphon Award, it was a while before it found a publisher. Double Dragon has published other ecofiction authors, and I was thrilled when A Dream of Drowned Hollow was accepted there.

It arose out of the changes I saw in the local landscape just in the time I lived there. I lived out in the country, and saw nature in a whole different way than I had ever seen it before; when you’ve grown up in a city and suddenly you’re as likely to hear coyotes serenading the moon and the song of the bobwhite as you are to see a squirrel or chipmunk, and you can be at the mercy of flash floods or a freak snowstorm that keeps you from leaving your property for three weeks, it changes your outlook on things pretty drastically. And you learn a lot more about both sides of the issues.

Mystery? A perfect opportunity for a ripped-from-the-headlines tale about the destruction of a housing development, or a car dealership, or even a murder, when the reasons for the deed are linked, or appear to be linked, to environmental causes. What about a company trying to open a new mine in a pristine area? Locals want the jobs; environmentalists know the damage it can cause. Who’s right? Where’s the middle ground? What if someone gets killed, or there’s sabotage?

Romance? Take a woman who believes very strongly that her family’s company should be allowed to build a new plant in an area designated as a wetland; put her up against a local guy who grew up wandering that wetland, became a naturalist, and is determined to protect it. Or set a vegan woman up in a situation in which she has to interact with a man who hunts, fishes, and thinks that that’s the natural order of things even in a changing world. Give them a common cause, so they have to work together, or a source of friction, so that they have to interact on a deeper level – and you have ecofiction.

Country? Pit a factory farm employee or owner against someone struggling to save a small family farm, or a homeowner protesting the spreading of sludge on farm fields nearby. Set someone who advocates for animal welfare against a rodeo rider or a rancher who raises exotic animals for meat. Pit an organic farmer against the building of a world-class golf course, the chemical runoff from which threatens his whole livelihood.

Medical? Take your choice: animal testing, the use of animal organs to replace human organs, the use of animal products to help humans survive on a broad scale. The current case of contaminated heparin from China is a good example of how wide-reaching the theme can be; what happens if an animal-sourced product is suddenly found to be unsafe, as it was with heparin, because of some unknown factor that could be contamination from the way it was prepared – or it could be an illness in the animals from which the product was derived. Bird flu. Pandemics. They all have the potential to be written as ecofiction.

If it involves conflict and the Earth or its animals or resources, it can be classified as ecofiction.

But there’s more to it than that. When a writer really examines a character’s underlying motivations for his or her actions, it becomes clear that no matter what side of the issue they’re on, they’re not the monsters that the other side thinks they are. Many bad actions arise out of misunderstanding, ignorance, belief in something that’s not true, or an incomplete understanding of the facts. When you mix in human error, greed, anger, and other potentials for conflict, you have an “antagonist” who is a whole person, someone who can’t (and shouldn’t) be demonized – unless, of course, you’re writing about actual demons. And even then you can give those characters an extra dimension that will make them linger in the reader’s mind.

Writers can understand human behavior because of their work, and they can then help their readers to do the same thing. This opens the door to conversation, compromise, and progress – something that’s more important every day as many issues overtake us and the world we know.



Tell us about “Klassic Koalas: Ancient Aboriginal Tales in New Retellings”.

Ah, this was a book from the heart. It’s a collection of stories traditionally told by the Aboriginal people of Australia about the Dreamtime, relating how things came to be the way they are – how the koala came to lose his tail, what happened during the Great Flood, how the koala’s ears got so big, how the whale got his blowhole, why the koala’s baby clings to mama’s back – and other beliefs about the koala that most people have never heard of. In Australian Aboriginal legend, the sleepy little koala is actually very powerful, and has magical, even shamanic powers. He can sing the trees into growing and the rain into stopping, and one tale even tells how he used his strong arms to throw a boomerang into the heavens and rain down seeds to grow for the men and beasts of a formerly barren region. The stories are so charming and so wonderful that it was a delight to retell them for today’s children. And it was a labor of love, because I so much love the koala, and always have – and wanted to do something that would help, because its numbers are declining rapidly, and its habitat is disappearing.

During World War II, my father was stationed in Australia. While he was there, he “met” koalas and other indigenous Australian wildlife, and he sent back stuffed koala toys to my sisters, as well as copies of the Durack sisters’ wonderful book The Way of the Whirlwind, which is the story of Australian Aboriginals Nungaree and Jungaree and their quest to recover their baby brother, who has been carried away by the great whirlwind spirit. When I was born some years later, I “inherited” my sisters’ koalas, which I loved; there was literally never a time when I didn’t know what a koala was. And The Way of the Whirlwind probably the first book that made a serious impression on me.

When I met Joanne Ehrich, my publisher at Koala Jo Publishing, we shared a common love of Australian wildlife, and she’d already brought out the incredible Koalas: Moving Portraits of Serenity, one of the most beautiful coffee table books I’ve ever seen – all filled with incredible koala photos taken by photographers around the world. She was doing a whole series of additional koala books, and we discussed the project, and the next thing I knew I was retelling Dreamtime stories about the koala. It was wonderful; it was fun; and it brought me back to my childhood.

The illustrations in Klassic Koalas: Ancient Aboriginal Tales in New Retellings, by the way, were done in part by young art students who were big Steve Irwin fans and wanted to do something meaningful in his memory. Joanne, who is an artist, created the rest of the illustrations, designed the wonderful cover, and pulled everything together with color and format. The pictures really pop – kids love them, as well as the stories.

You are donating your royalties from “Klassic Koalas”. What organization will be the lucky recipient? How long have you been involved with them?

The Australian Wildlife Hospital, which is a major project of Irwin’s Wildlife Warriors, is the beneficiary of the royalties. Joanne and I discussed various organizations that might receive the contributions from the book, and she made the arrangements; the Hospital was planning a new facility – they’d completely outgrown their old building, which used to be an avocado processing shed – and had designed a new, environmentally friendly facility that would tremendously increase their capacity as well as being kind to the surrounding area. They broke ground for it last year, and it’s actually projected to open in late March – so they need funding more than ever, for equipment and supplies. They go out on over 100 wildlife emergency calls each day, and have a koala rehabilitation area where the ones who are seriously injured can relearn climbing trees and the orphaned babies can grow up in safety. At present they have more than 50 koalas being treated, and the numbers grow because of habitat loss, animal attacks, and disease – so they’re fighting to stem a rising tide.

What’s up next for you? Are there future projects you would like to share with us?

Currently I’m working on a paranormal mystery that deals with domestic violence and animal abuse – the two are tied together in real life, with the latter often being a predictor of violent behavior toward humans – and hope to make people more aware of the emotional issues behind these problems, so that they can recognize the signs and take action against them. One of the best ways to fight a problem is to tell a story about it, so that people can see it for what it is and come to care enough about it to want to get involved – so that’s what I’m trying to do.

Is there anything you would like to add?

I’d like to say that if people enjoy reading ecofiction, if they like proactive characters who do something about the circumstances in which they find themselves, they should see if there’s a way they can bring that excitement and satisfaction into their own lives. There are thousands of ways in which people can get involved to better their neighborhoods, their cities, their states, and the conditions under which people and animals live. The information is out there on the Web for anyone who wants to do more, whether it’s just finding organic food for the family table or volunteering at a shelter – human or animal – or starting a neighborhood garden for kids to grow their own plants in the summertime, or volunteering to build a house with Habitat for Humanity or going to a foreign country to help with a water purification project. If you see something that’s wrong, you can help to find a solution and make it right.

I’d also like to thank you for letting me be here. I’ve really enjoyed it.

Thanks for joining us today, Lee. I'm glad you enjoyed it. I wish you great success in all you do.

Thursday, March 6, 2008

Amanda Ford and Kiss Me, I'm Single: An Ode to the Solo Life

How often do you know me to give up the floor twice in one week? Oh my, am I going to spin the Earth of its axis? Amanda Ford is the author of Kiss Me, I'm Single: An Ode to the Solo Life. She's going to share with us her thoughts on love and the lack of guarantees.



Love has no guarantees. I have known this forever. It's a lesson I learned in the womb. It's embryonic understanding. At least that's what I call it. This is the only way I know to describe just how fundamental that statement feels to me. Eat. Breath. Shit. Love has no guarantees. Embryonic understanding.

Sometimes I think I was destined to write a book about being single. If I wasn't destined, then I was certainly shaped, influenced and guided toward the topic since before birth. Just as an unborn child receives nutrients from his mother to build cells, tissues, organs and bones, I imagine that child also absorbs feelings from his mother to construct his emotional landscape.

When my mother was twenty-five, she married her college sweetheart. When he and my mother were twenty-nine, her husband died unexpectedly of a heart attack. His name was Jack. He died before I was born, so I never knew what it felt like to sit next to him on the couch, to watch him cut his steak with a knife and fork, to talk to him about sports or books or the Saturday crossword.

So perhaps you might think it odd when I tell you that I do know intimately, viscerally, what Jack's absence feels like. It feels anxious and sad and uncertain and wrong and hard. Why did Jack die? He was healthy. He was handsome. He was the perfect husband. He would have been the perfect father. It's unfair. I must be a failure. I must be unlovable. God must be punishing me.

You see, just as I inherited my mother's jetting cheekbones and her knotty knuckles, I have also inherited her deepest sorrow, her biggest loss. I inherited the first hand understanding that love offers no guarantees.

My mother married my father in a fog of widowhood. He was a philanderer, and before I was even a year old, she kicked him out of the house. When I was four, my mother fell in love with a man who moved in with us a year later. He loved me like his own. When I was fourteen, this man died of cancer.

When I was eighteen I went away to the same college my mom attended, the same college where she met Jack. I fell in love at that college when I was nineteen. When I was twenty-two, my sweetheart and I married. When I was twenty-four, we filed for divorce.

Perhaps I have inherited my mother's inability to make love conform to conventional standards and follow society's expectations. Love can die even as you swear to hold on for eternity. Love has its own destiny. It gives no guarantees. I know this.

But just as I have inherited my mother's jetting cheekbones, I have also inherited her unyielding conviction that just because love does not go as we expect it, does not mean it has deserted us completely. Just as I have inherited the pain of my mother's biggest losses, I have also inherited her optimism and ability to see love around every bend, even if it doesn't come the expected package. My mother has watched many of her loves die—both literally and figuratively—but she has not let these losses kill her spirit. She is an unyielding romantic. She is creative. She is giving. She loves her work. She watches birds. She taught herself to paint. She places personal ads. She goes on dates. She visits the market. She cooks. She bikes. She laughs. She smiles. She wakes up in the morning. She calls me on the phone. She says, "Oh my sweet daughter! Isn't it a wonderful day? It's a wonderful day. I love this day. You are so sweet. I love you." She loves me. She loves this day. She loves this life. Every ounce of it.

Like my mom, I have watched love crumble before my eyes. I have a failed marriage, many failed relationships, and no father to run to for advice. But I haven't let it bitter me. I keep my spirit sweet. My heart gets broken, I open it wider. I flirt. I play. I dance. I pray. I bike. I breathe. I give thanks for it all. I know that if we are able to take what we have inherited and transform those broken pieces into a masterpiece, then we are truly miracles. I know that love has nothing to do with the circumstances of my past, but that I can remake it anew every day. I know that love has nothing to do with another person, but that love is the condition of my own heart.

Amanda Ford is the author of Kiss Me, I'm Single. You can visit her at, http://www.oholive.com

This virtual book tour has been brought to you by:

Tuesday, March 4, 2008

Anita Revel and Outing the Goddess Within



Anita Revel has been writing her ‘Outing the Goddess Within’ columns for United Press International since 2006. She is the creatrix of the internationally popular Goddess PlayshopTM and the website, Goddess.com.au – both aimed at helping you connect with your beautiful, sassy, intuitive, lovable, sacred and authentic self.

Anita has incorporated her journey into hundreds of articles, countless websites and numerous books. In 2006, she appeared on the cover of Spheres magazine with her ‘Seven-Day Chakra Makeover’, and thanks to a very fertile 2007, many more books and feature articles are on the way.

Anita lives with gratitude in sunny Western Australia with her three heroes: her Super Man, her Boy Wonderful and her dyslexic god.

You can visit her website at iGoddess.com or her blog at Goddess Goodies.



Synopsis:

No matter whether you’re a pouting priestess, boardroom babe, feathery fairy, earth mother or warrior woman, there comes a time when every goddess gal needs to hold up her sword and claim her right to be true to her authentic self.

This is exactly what Anita Revel has been doing over the last 10 years. Tired of being a fizzled out corporate stress-chick, she made a sea change from Sydney to Margaret River in search of a happy beginning. What she found instead was a brown-eyed calf named Missy Moo and 52 archetypal goddesses with life lessons to share.

Anita wrote about her lessons for her column with United Press International. Sometimes poignant, infinitely insightful, but mostly snort-your-milk hilarious, Anita’s journey has led her to successfully ‘out’ her goddess within.

OUTING THE GODDESS WITHIN VIRTUAL BOOK TOUR '08 will officially begin on March 1, 2008 and continue all month. Leave a comment on her blog stops and become eligible to win a free copy at the end of her tour! One lucky winner will be announced on March 31!

This virtual book tour has been brought to you by:

Monday, March 3, 2008

The Inside Scoop on K. L. Nappier



We have a real treat today. Award-winning author K. L. Nappier joins us to talk about all sorts of good stuff. Kathy has been published in many genres, but leans towards thrillers and mysteries. She is also a founding member of the Indiana Writers Workshop and a member of the Tampa Writers Alliance. Kathy contributed two articles to Inside Scoop: Articles about Acting and Writing by Hollywood Insiders and Published Authors. This is just one of several interviews I am performing with the writers who contributed to Inside Scoop.

Welcome to The Book Connection, Kathy. I’m thrilled you could join us today.


Thanks, Cheryl. I’m flattered you asked me.

Let’s start by getting to know you. How long have you been writing? How many genres have you been published in?

Oh, I’ve been writing for over 20 years and I’ve done a little bit of everything, really. Most of my novels fit into at least two genres. I work with themes or premises first and don’t tend to focus on genre. For a lot of years, publishers didn’t know how to catalog me. At any given time, a novel might be a thriller/adventure/horror story or a mystery/intrigue/romance. It all depends on what the theme calls for. But since I like to work with mythic images, I’d say most of my stuff leans toward the darker genres. Always with an eye toward the light, though. ;-)

Who or what has influenced your writing the most?

It’s not popular to say so but the simple truth is that, being a Baby Boomer, TV and movies have influenced me as much as great literature. Although I was more consciously aware of literature’s impact on me than I was of the silver screens’, both big and little. E.A. Poe was a major, major inspiration when I was a girl and he remains so. Unlike with movie icons and those on the tube, I knew I wanted to “write like Poe.” I read everything he wrote and, also, as much as I could about the man.

It wasn’t until later that I realized what an impact Alfred Hitchcock had on me as well as Rod Serling. They were as formative for me as Poe, whether I knew it or not at the time. I think that’s because of media’s natures. When you hold a book in your hand, you know who the author is, even when you’re a kid. But, as a child, you don’t even know what a screenplay is. You pay no attention to the film credits at the end of the movie. You’re just swept away by the story itself. Or, at least, I didn’t pay attention as a girl. I had to mature a little before I realized that Serling was a writer first, who became a TV icon later and Hitchcock...well, I’m convinced that the reason Hitchcock was so great as a movie maker was because he had a writer’s soul.



Now, from what I understand, there were many years between your debut novel, Shadows in the Mist and your supernatural thriller, Full Wolf Moon. Why do you think that happened? What did you do to keep yourself from getting discouraged?

Well, before I start pointing fingers, I need to look in the mirror. First and foremost -at the risk of sounding like a public broadcast announcement- I dropped out of college. Big mistake. Cost me years, because colleges and universities are to publishing houses what minor league is to baseball. Connected professors refer talented students. It was -and still is- a large part of the system and there’s no shame in it. Why would publishers go out into the general public when there’s a guaranteed source of talent in a concentrated area easily tapped?

So, stay in school, kids, if you want your writing career to develop early.

Beyond that, I couldn’t write to trend. Honestly, I tried, I really did. I wasn’t too proud to mimic the flavor of the month or year. It’s just that I’m not good at it. Also, by today’s standards, I’m a slow writer. It takes me a couple of years on average to complete a novel. And if you’re going to be a trend writer, you gotta pump those babies out faster than that.

Now for the finger pointing. I had two terrible agents in a row. I won’t name names or go into details, but they were volume agents: agents who loaded themselves up with every writer they could sign. The theory there, of course, is similar to throwing spaghetti on a wall. If you stuck to the wall immediately, they focused all their attention on you. If you slipped off the wall too soon, they left you to shrivel on the floor.

This is not a statement against literary agents in general. Heaven knows there are many, many very good ones out there. Just consider it a cautionary tale. I should revisit the mirror here as well because I did, after all, choose to sign with these people. The lesson is that a writer should research the agent well and, most especially, not leap into the lap of the first one who asks him or her to sign. Regretfully, that’s what I did. Twice.

What kept me from being discouraged? Well, I did get discouraged. I can’t count how many times over the years I was discouraged. But getting discouraged and giving up are two very different things. But, during the tough times, I had a lot of hands pulling me up off my knees: my husband’s, my family’s and the Indiana Writers Workshop critique group’s, foremost.

But, you know, simply...I’m a writer. I know it’s cliche, but being a writer isn’t what I do, it’s what I am. I love to write. I get depressed if I don’t write. When I was a kid, I wrote stories just to write them. I wasn’t thinking about getting published. If I were to let publishing be the soul reason to write, then I guess I would have dropped out years ago. Would have wound up being a babbling old Boomer chick staring into her pinot noir, lamenting what could have been. ;-)
Good news, though. Today, there are so many ways to keep a writer from being discouraged. Even if you blew it like I did during your college years, the publishing opportunities -contrary to conventional wisdom- are better today than ever. Contests for both published and unpublished writers alike are all over the Internet. There are a swarm of independent publishers really putting the New York houses to the test. And no aspiring writer should discount self-publishing. It’s another avenue of potential, if you do your due diligence and proper research.



Since Full Wolf Moon you’ve experienced tremendous success. You’ve won awards and contributed to the online bestseller Twisted Tails Anthology. What do you feel is your most significant achievement?

Golly, I have to decide which baby I love best? ;-) That’s just too tough a call. But I can say that entering Full Wolf Moon in Double Dragon Publishing’s Draco Awards was my smartest move. Because of that, I was signed on, first, by Double Dragon as an ebook author and, most recently, by Aisling Press for the paperback rights to my novels. Needless to say, I mark my win in the Dracos as significant in relaunching my writing career.



Let’s talk about your articles that appear in Inside Scoop. How did you get involved in this project?

I have the great good fortune to know Marilyn Peake, the brains behind the series. She’s also a DDP author and a best selling writer to boot. She’s a savvy industry insider, she knows first hand the challenges of this calling and is keen to share her knowledge with aspiring writers. When a whirlwind like Marilyn invites you into a project, you do not want to say no. Good things follow Marilyn whereever she goes. I’m always happy to catch a ride on her coat tails.



What are “Barbarians at the Gate: The Future of Literature, Rumor versus Reality” and “Promo Ammo: What Is A Video Book Trailer & What Can It Do For You?” all about? What will writers learn from them?

“Barbarians at the Gate” is about the emergence of the independent publishing industry. Readers and writers alike are poised at the cusp of a very exciting and prolific time in publishing. Conventional wisdom -and I do use the term “wisdom” loosely in this case- is looking at what’s happening to the traditional publishing houses of New York and predicting all kinds of calamity, equating these houses’ financial woes with the demise of the global book industry. Typical. The NY houses rarely look outside themselves to see what’s going on and too many in the popular media take what the houses say as gospel. Well, I’m saying the future of literature is far from bleak. It’s just breaking out of its old NY boundaries and that’s disturbing to those who prefer the status quo.

“Promo Ammo” is an introduction to an emerging and highly valuable promotional tool for today’s authors: the video book trailer (or book preview). YouTube, MySpace, DailyMotion and their ilk are now major players in the popular media, and writers need to keep up. The video book trailer is a great way to get your titles in front of the reading public. And a struggling writer doesn’t have to break the bank to have one produced. It’s a niche industry getting ready to bust out.

As a virtual book tour coordinator, I am very interested in your opinions on video book trailers. Do they really help sell books? How fancy do they have to be? Any advice on how many minutes is too long or too short?

I think they’re one of the most exciting new tools available. But, like any other promotional aid, they won’t sell a book by themselves. They need to be part of a total package. They’re a “hook,” an invitation to “come see more.” A good one can really draw in the visits at the YouTube style venues. They’re also highly effective at conventions and book fairs.

The time element certainly is important. I know it’s a thrill for us authors to see our books come to life on a video, but to the reading public it’s just a commercial. I may love to watch a four minute video, over and over again, that’s all about my book. But my potential readers are gonna start yawning and say “bye bye” in half that time. Remember who you’re making the video for and keep it under three minutes tops. About two minutes is optimum.

Like any promotion, the more professionally they’re made, the better. The good news is that there are affordable, easy-to-learn computer programs that can produce impressive videos, if your budget is such that you need to create them yourself. But there are also professional production companies creating videos, and not all of them will stress a writer’s pocket book. I use one myself, which I name in the article. One of the best in this new business and very affordable. Believe me, I don’t have the deep pockets of a Stephen King or Anne Rice, so you can trust me on this.

What’s up next for you? Are there future projects you would like to share with us?

I’m scurrying around a bit right now with book signings and panel discussion appearances at conventions, so I’m not getting as much writing done as I’d like. But that should settle down by the end of the year. Between trips, though, I’m working on something for the fourth in the “Twisted Tails” series and getting some ideas mapped out for what will be the third novel following the characters in “Full Wolf Moon” and “Bitten.” I think next year I’ll stay home so I can knuckle down and get some real work done on my manuscripts.

Is there anything you would like to add?

Only my best wishes and strongest encouragement to everyone out there. Writers, when “stage fright” strikes you, sitting in front of that white space on the monitor and wondering what the heck you’re doing there, realize this: you’re thinking too much. Stop it. Just write. You can clean it up later.

Readers, thank you for being you. Writing is a dance between an author and a reader. Without you, I wouldn’t even hear the music.

If anyone wants to come visit, my web site is KLNappier.com or drop by my MySpace page or YouTube channel. And I’m always happy to hear from readers and writers, so write me at klnappierddp(at)yahoo(dot)com

Thanks for joining us today, Kathy. It’s been great getting to know more about you and your work. I wish you continued success.

I appreciate the invite, Cheryl. When the questions are as thought provoking as yours, an interview is great fun.

Sunday, March 2, 2008

Speculative Fiction Author Christopher Hoare and The Wildcat's Victory

While you probably already know that I love doing all the talking, I am going to step aside to let speculative fiction author, Christopher Hoare tell you all about not writing about yourself.



When I went into oil exploration as a young man it wasn’t just for the money, it was also for the image. I’d always wanted to write and how better to prepare for fame and fortune than by being an explorer? Didn’t quite work that way.

I surveyed in both the Libyan Desert and in the Canadian Arctic Islands – plenty of meat to make a banquet of a novel based on personal experience, one would think. While I worked in the desert that movie about the survivors of an airplane crash building an aircraft out of the wreckage to fly to safety hit the screen. I think it was called Flight of the Phoenix, based on a novel by Elleston Trevor. Quite apart from the complete disregard for engineering reality, the crash supposedly happened quite close to where we happened to be and the area was portrayed as being filled with hostile tribesmen and a Foreign Legion fort. What rubbish – nothing could have been further from credibility.

Do you suppose the author was embarrassed about knowing nothing about the area – or having never set foot in the desert? Or knowing nothing about engineering? Not on your life. The suckers bought it and the movie and book made lots of money. Case closed.

I thought I might one day write a novel about the real desert, and about real oil exploration, but this nagging feeling – summed up by another writer as, “there’s a big difference between writing fiction and writing history” – always stalled my efforts before chapter three. How much exaggeration can I take before I begin to feel ridiculous? How little exaggeration will a reader accept before tossing the story aside as too boring?

Take the Arctic. I surveyed there on seismic crews through two winters in temperatures that went on occasion below -60 Fahrenheit. I led moves across country and from island to island across sea ice. That’s getting close to being an explorer, although in the 70s I had some aviation backup and good radio communications. But two facts interfere with my working on a fiction plot. The primary characters who make decisions and move affairs never set foot in the Arctic, except perhaps a few hours of flying visit. If I’ve carried out a few journeys on the ground in conditions that sometimes degenerated to ground blizzards with zero visibility and a good chance of my becoming an ice cube – that’s just my stupidity. The big boys that one needs to cast a plot around are home and warm.

The second fact actually depicts a fantasy – that the lead characters in oil exploration are the oil drillers. In the Arctic, the drilling rigs followed years behind the seismic crews providing the geophysical data that mapped the potential oil bearing structures. Not only that but the rigs up there were boarded in to keep out the wind and blowing snow; the rig camps were located a short distance away with ropes strung between the two to keep roughnecks from wandering astray. No tougher than drilling on the winter Prairie – they didn’t even have to drive a highway in a Saskatchewan blizzard. Between flying in and out all the way from Edmonton, and making the trip from camp to airstrip in warm trucks and tracked vehicles, they never actually set foot in an arctic wilderness.




I did write a collection of stories gathered over my years spent in the business – the kind of tales guys tell around a campfire or a mess-hall table littered with empty beer bottles. They consisted of stories I heard, stories I saw unfold, as well as stories that happened to me. They were all about the seismic crews, the unsung explorers who forged into the wilderness cutting swathes of knowledge and roads for the drillers to follow. The book almost found a publisher. But according to the senior editor my stories were not appealing enough to the reading public because there were no roughnecks in them. He was firmly of the opinion that the real explorers were oil drillers and no public would accept a book that left them out.

Once, despite all my reservations, I decided to start an arctic novel. It would only feature one perilous journey through a whiteout, perhaps some tension between the bosses down south and the guys on the front lines – and even some dangerous interpersonal conflicts that I might make up. Chapter one started with a difficult approach to an arctic airstrip in an Electra. Aircraft we often used, having sat in the cabin myself while planes descended through storms and zero visibility to primitive airstrips on several occasions. Always a dramatic moment when the undercarriage goes down, the engines throttle back, the plane lurches and yaws, the cabin lights flicker, and everyone sits waiting for the bump – or perhaps an awful crash.

Then PanArctic Petroleum’s Electra, CF-PAB, that I’d flown in and out with many times, undershot the runway at Rae Point in a snowstorm. Crashing onto the sea ice, it broke through and sank in seconds. Of thirty-three aboard only three got out, and one of those succumbed to hypothermia before help arrived. I was stunned into a writing block – what could I add to that reality? Besides the aircrew, the men aboard were a drilling crew – so my opinion that the drillers never experience the real arctic was also shot to hell. They had one short, horrible experience of the arctic waters under the ice.

So that novel ceased to develop and I put aside the idea of writing the ‘great oilpatch novel’ – at least until I’m established enough that know-it-alls can’t presume to correct my knowledge. There’s a good Buddhist aphorism I know, “He who walks with fools suffers a long way.” So I write speculative fiction, and keep clear of writing novels about the life I really experienced.

My latest speculative fiction is the alternate world SF novel “The Wildcat’s Victory”. It can be found on at Double Dragon Publishing and on Amazon.


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