Showing posts with label 2014 new releases. Show all posts
Showing posts with label 2014 new releases. Show all posts
Tuesday, June 24, 2014
New Poetry Book by Bobby Brown Available on Kindle
"On a summer's Eve in 1976 I had a spiritual awakening. After weeping through the night I awoke the next morning and heard the birds really singing for the first time. I also felt inwardly enriched. The living waters of poetry began to flow like a river and these poems are the result." - Bob Brown
Life is tedious. Sin made it that way. The poems contained in this book are hard to read without having your heart stirred. Bob knows full well that the "Holy Spirit" is living inside of him and it is this Spirit that enables Bob to wake each morning in wonder and awe in spite of all the sin in this world.
These poems will cause you to think, to wonder, to be thankful, sometimes to be enraged, and to experience some of the life that God has designed for you. There is beauty in this world. There is beauty in words. God is the Word! Words are important. My hope is that God will use this book to make a difference in your life, as he has so graciously done in mine.
PURCHASE AT: http://www.amazon.com/Seated-Above-Looking-Below-Bobby-ebook/dp/B00KY44A2G
Bob Brown was born and raised in a classic New England town. He enjoys knowing Jesus as his savior, reading, writing, sports - especially baseball (and mainly the Yankees), walking in the woods, drinking tea, and hot summer days. And probably in that order!
"Seated Above - Looking Below" is his first published book. Interestingly enough, the book title "Seated Above - Looking Below" was inspired by Bob's interpretation of scripture - Eph 2:6 which states "And God raised us up with Christ and seated us with Him in the heavenly realms in Christ Jesus." This is an incredible piece of scripture because it show's Gods abundant grace towards us - but note the focus is on God; He raised us up and He seated us with Himself. Also, note the tense of the verse! Read it again!
Bob is an old-fashioned kind of guy who strives to limit the role of technology in his life. Hence, this book has been a long time coming, and yes it has also been a struggle. The good news is that the well runs deep and there are more poems to publish!
A lot of Bob's inspiration comes from deep thinking while in his sanctuary - a place called Ashley reservoir located in western Massachusetts. The book cover is in fact a photograph of a wooded path in this reservoir area.
When asked to describe himself, Bob simply said "I wake up each day with a Holy Spirit within, and I look out in wonder as to why people don't seek the better way."
Tuesday, June 10, 2014
Book Spotlight: Third Rail by Rory Flynn
At crime scenes, Eddy Harkness, the “Harvard Cop,” is a human Ouija board, a brilliant young detective with a knack for finding the hidden something—cash, drugs, guns, bodies. Harkness’s swift rise in an elite narcotics unit is derailed by the death of a young Red Sox fan in the chaos after a World Series win, a death some witnesses believe he could have prevented. Scapegoated, Harkness is exiled to his hometown, Nagog, just west of Boston, where he empties parking meters and struggles to redeem his disgraced family name.
But one night Harkness’s police-issued Glock disappears. Harkness starts a search— just as a string of fatal accidents in Nagog leads him to uncover a dangerous new smart drug, Third Rail. With only a plastic gun to protect himself, Harkness begins a high-stakes investigation that sends him into the darkest corners of the city.
One of the most electrifying thrillers you’ll read this year, Third Rail takes you deep into a gritty world of wronged heroes, corrupt politicians, and sinister kingpins, where your friends can’t be trusted, a sleepy town breeds deadly crimes, and nothing ever happens by accident.
“THIRD RAIL gets off to a ripping start and never lets off the gas. Rory Flynn is a suspense writer to watch.”
– Jess Walter, author of the bestselling BEAUTIFUL RUINS
“THIRD RAIL is an adrenaline-soaked tale of political corruption and personal redemption that never lets up. Eddy Harkness, the self-destructive Massachusetts narcotics detective at the novel’s center, is a worthy successor to Robert B. Parker’s Jesse Stone.”
– Sean Chercover, author of the bestselling THE TRINITY GAME
Available at bookstores everywhere on June 10, 2014, including:
Amazon.com
Barnes & Noble
Brookline Booksmith
Concord BookstoreIndiebound
Porter Square Books
Rory Flynn is the pen name of acclaimed novelist Stona Fitch, author of five previous novels, including Senseless, now an independent feature film and a graphic novel.
In 2008, Stona founded the Concord Free Press, a independent publishing house that publishes and distributes original novels, asking only that readers make a voluntary donation to a charity or person in need, then pass their book on. The CFP has inspired generosity throughout the world—and created a new approach to publishing that has earned praise from publishing visionaries and readers.
Stona lives with his family in Concord, Massachusetts.
Visit Rory Flynn’s Website: http://www.mrroryflynn.com/
Wednesday, April 9, 2014
Book Spotlight: Fly Away by Kristin Hannah
As teenagers in the seventies, Tully Hart and Kate Mularky were inseparable. Tully, with her make-up and her halter tops, was the coolest girl in school. Kate, with her glasses and her high water jeans, was the geeky outsider. But chance and circumstance brought them together and through the decades they were devoted to each other. This was the story of Tully and Kate which began on a quiet street called Firefly Lane. Best friends forever.
But sometimes stories end, and we have to find a way to begin again.
Now, years later, Tully is a woman trying to deal with the loss of her best friend. She wants to fulfill her promise to Kate—to be there for Kate’s children, but it’s a promise she has no idea how to carry out. What does brash, lonely, ambitious Tully know about being part of a family?
Kate's daughter, sixteen-year-old Marah Ryan, is as lost in her grief as Tully is...until she falls in love with a young man who makes her smile again and leads her into his dangerous, shadowy world.
Tully's mother, Dorothy Hart, is an unstable woman who abandoned her child too many times in the past and ultimately broke her heart. Now, when Tully is in danger of losing everything and is more vulnerable and alone than she’s been since she put those rough childhood years behind her, Dorothy returns once more, desperate for another chance to be a good mother. But can she be trusted this time? To help her daughter, Dorothy must face her darkest fears and reveal the terrible secret in her past—only then can she become the mother her wounded daughter needs.
In Fly Away, tragedy will bring these three women together and set them on a poignant, powerful journey of redemption. Each has lost her way and they will need each other—and maybe a miracle—to transform their lives…
Book excerpt:
Chapter One
September 2, 2010
10:14 pm
September 2, 2010
10:14 pm
She felt a little woozy. It was nice, like being wrapped in a warm-from-the-dryer blanket. But when she came to, and saw where she was, it wasn't so nice.
She was sitting on a closed toilet seat in a restroom stall, slumped over, with tears drying on her cheeks. How long had she been here? She got slowly to her feet and left the bathroom, pushing her way through the theater's crowded lobby, ignoring the judgmental looks cast her way by the beautiful people drinking champagne beneath a glittering, nineteenth century chandelier. The movie must be over.
Outside, she kicked her ridiculous patent leather pumps into the shadows. In her expensive black nylons, she walked in the spitting rain down the dirty Seattle sidewalk toward home.
A bright pink Martini Bar sign caught her attention. A few people were clustered together outside the front door, smoking and talking beneath a protective overhang.
Even as she vowed to pass by, she found herself turning, reaching for the door, going inside. She slipped into the dark, crowded interior and headed straight for the long, mahogany bar.
"What can I get for you?" asked a thin, artsy-looking man with hair the color of a tangerine and more hardware on his face than Sears carried in the nuts and bolts aisle.
"Tequila straight shot," she said.
She drank the first shot and ordered another. The loud music comforted her. She drank another straight shot and swayed to the beat. All around her people were talking and laughing. It felt a little like she was part of all that activity.
A man in an expensive Italian suit sidled up beside her. He was tall and obviously fit, with blond hair that had been carefully cut and styled. Banker, probably, or corporate lawyer. Too young for her, of course. He couldn't be much past thirty-five. How long was he there, trolling for a date, looking for the best looking woman in the room? One drink, two?
Finally, he turned to her. She could tell by the look in his eyes that he knew who she was and that small recognition seduced her. "Can I buy you a drink?"
"I don't know. Can you?" Was she slurring her words? That wasn't good. And she couldn't think clearly.
His gaze moved from her face, down to her breasts, and then back to her face. It was a look that stripped past any pretense. "I'd say a drink at the very least."
"I don't usually pick up strangers," she lied. Lately, there were only strangers in her life. Everyone else, everyone who mattered, had forgotten about her. She could really feel that Xanax kicking in now, or was it the tequila?
He touched her chin, a jawline caress that made her shiver. The boldness of it, just touching her; no one did that anymore. "I'm Troy," he said.
She looked up into his blue eyes and felt the bone crushing weight of her loneliness. When was the last time a man had wanted her? She couldn't even remember.
"I'm Tully Hart," she said.
"I know."
He kissed her. He tasted sweet, of some kind of liquor, and of cigarettes. Or maybe pot. She wanted to lose herself in pure physical sensation, to dissolve like a bit of candy.
She wanted to forget everything that had gone wrong with her life, and how it was that she'd ended up in a place like this, alone in a sea of strangers.
"Kiss me again," she said, hating the pathetic pleading she heard in her voice. It was how she'd sounded as a child, back when she'd been a little girl with her nose pressed to the window, waiting for her mother to return. What's wrong with me? that little girl had asked anyone who would listen, but there had never been an answer. Tully reached out for him, pulling him close, but even as he kissed her and pressed his body into hers, she felt herself starting to cry, and when her tears started, there was no way to hold them back.
She was sitting on a closed toilet seat in a restroom stall, slumped over, with tears drying on her cheeks. How long had she been here? She got slowly to her feet and left the bathroom, pushing her way through the theater's crowded lobby, ignoring the judgmental looks cast her way by the beautiful people drinking champagne beneath a glittering, nineteenth century chandelier. The movie must be over.
Outside, she kicked her ridiculous patent leather pumps into the shadows. In her expensive black nylons, she walked in the spitting rain down the dirty Seattle sidewalk toward home.
A bright pink Martini Bar sign caught her attention. A few people were clustered together outside the front door, smoking and talking beneath a protective overhang.
Even as she vowed to pass by, she found herself turning, reaching for the door, going inside. She slipped into the dark, crowded interior and headed straight for the long, mahogany bar.
"What can I get for you?" asked a thin, artsy-looking man with hair the color of a tangerine and more hardware on his face than Sears carried in the nuts and bolts aisle.
"Tequila straight shot," she said.
She drank the first shot and ordered another. The loud music comforted her. She drank another straight shot and swayed to the beat. All around her people were talking and laughing. It felt a little like she was part of all that activity.
A man in an expensive Italian suit sidled up beside her. He was tall and obviously fit, with blond hair that had been carefully cut and styled. Banker, probably, or corporate lawyer. Too young for her, of course. He couldn't be much past thirty-five. How long was he there, trolling for a date, looking for the best looking woman in the room? One drink, two?
Finally, he turned to her. She could tell by the look in his eyes that he knew who she was and that small recognition seduced her. "Can I buy you a drink?"
"I don't know. Can you?" Was she slurring her words? That wasn't good. And she couldn't think clearly.
His gaze moved from her face, down to her breasts, and then back to her face. It was a look that stripped past any pretense. "I'd say a drink at the very least."
"I don't usually pick up strangers," she lied. Lately, there were only strangers in her life. Everyone else, everyone who mattered, had forgotten about her. She could really feel that Xanax kicking in now, or was it the tequila?
He touched her chin, a jawline caress that made her shiver. The boldness of it, just touching her; no one did that anymore. "I'm Troy," he said.
She looked up into his blue eyes and felt the bone crushing weight of her loneliness. When was the last time a man had wanted her? She couldn't even remember.
"I'm Tully Hart," she said.
"I know."
He kissed her. He tasted sweet, of some kind of liquor, and of cigarettes. Or maybe pot. She wanted to lose herself in pure physical sensation, to dissolve like a bit of candy.
She wanted to forget everything that had gone wrong with her life, and how it was that she'd ended up in a place like this, alone in a sea of strangers.
"Kiss me again," she said, hating the pathetic pleading she heard in her voice. It was how she'd sounded as a child, back when she'd been a little girl with her nose pressed to the window, waiting for her mother to return. What's wrong with me? that little girl had asked anyone who would listen, but there had never been an answer. Tully reached out for him, pulling him close, but even as he kissed her and pressed his body into hers, she felt herself starting to cry, and when her tears started, there was no way to hold them back.
***
September 3, 2010
2:01 am
2:01 am
Tully was the last person to leave the bar. The doors banged shut behind her; the neon sign hissed and clicked off. It was past two now; the Seattle streets were empty. Hushed.
Traffic made the pavement hum beneath her bare feet. She made her way down the slick sidewalk, a little unsteady on her feet. A man had kissed her - a stranger - and she'd started to cry.
Pathetic. No wonder he'd backed away.
Rain pelted her, almost overwhelmed her. She thought about stopping, tilting her head back and drinking it in until she drowned.
That would be good. Drowning.
It seemed to take hours to get home. At her condominium building, she pushed past the doorman without making eye contact.
In the elevator, she saw herself in the wall of mirrors.
Oh, God.
She looked terrible. Her auburn hair - in need of coloring - was a bird's nest, mascara ran like war paint down her cheeks.
The elevator doors opened and she stepped out into the hallway. Her balance was so off it took four tries to get her key into the lock. By the time she opened the door, she was dizzy and her headache had roared back to life.
Somewhere between the dining room and the living room, she banged into a chrome side table and almost fell. Only a last minute Hail Mary grab for the sofa saved her. She sank onto the thick, down filled white cushion with a sigh. The table in front of her was piled high with mail. Bills and magazines. Junk mail.
She slumped back and closed her eyes, thinking what a mess her life had become.
"Damn you, Katie Ryan," she whispered to the best friend who wasn't there. This loneliness was unbearable. But her best friend was gone. Dead. That was what had started all of it. Losing Kate. How pitiful was that? Tully had begun to plummet at her best friend's death and she hadn't been able to pull out of the dive. "I need you." Then she screamed it: "I need you!"
Silence.
She let her head fall forward. Did she fall asleep? Maybe...
When she opened her eyes again, she stared, bleary-eyed, at the pile of mail on her coffee table. A Star magazine lay on top - a small, business card size photograph of her was in the upper right corner. Beneath her name was a single, terrible word.
Addict.
She reached forward, grabbed the magazine. It was a small story; not even a full page.
The Real Story behind the rumors.
Traffic made the pavement hum beneath her bare feet. She made her way down the slick sidewalk, a little unsteady on her feet. A man had kissed her - a stranger - and she'd started to cry.
Pathetic. No wonder he'd backed away.
Rain pelted her, almost overwhelmed her. She thought about stopping, tilting her head back and drinking it in until she drowned.
That would be good. Drowning.
It seemed to take hours to get home. At her condominium building, she pushed past the doorman without making eye contact.
In the elevator, she saw herself in the wall of mirrors.
Oh, God.
She looked terrible. Her auburn hair - in need of coloring - was a bird's nest, mascara ran like war paint down her cheeks.
The elevator doors opened and she stepped out into the hallway. Her balance was so off it took four tries to get her key into the lock. By the time she opened the door, she was dizzy and her headache had roared back to life.
Somewhere between the dining room and the living room, she banged into a chrome side table and almost fell. Only a last minute Hail Mary grab for the sofa saved her. She sank onto the thick, down filled white cushion with a sigh. The table in front of her was piled high with mail. Bills and magazines. Junk mail.
She slumped back and closed her eyes, thinking what a mess her life had become.
"Damn you, Katie Ryan," she whispered to the best friend who wasn't there. This loneliness was unbearable. But her best friend was gone. Dead. That was what had started all of it. Losing Kate. How pitiful was that? Tully had begun to plummet at her best friend's death and she hadn't been able to pull out of the dive. "I need you." Then she screamed it: "I need you!"
Silence.
She let her head fall forward. Did she fall asleep? Maybe...
When she opened her eyes again, she stared, bleary-eyed, at the pile of mail on her coffee table. A Star magazine lay on top - a small, business card size photograph of her was in the upper right corner. Beneath her name was a single, terrible word.
Addict.
She reached forward, grabbed the magazine. It was a small story; not even a full page.
The Real Story behind the rumors.
Aging isn't easy for any woman in the public eye, but it may be proving especially difficult for Tully Hart, the ex-star of the once phenom talk show The Girlfriend Hour. Ms. Hart's goddaughter, Marah Ryan, contacted Star exclusively. Ms. Ryan, 20, confirms that the fifty-year-old Hart has been struggling lately with demons she's had all her life. In recent months, Hart has "gained an alarmingamount of weight" and been abusing drugs and alcohol, according to Ms. Ryan--
Marah.
The betrayal hurt so badly she couldn't breathe. She read the rest of the story and then let the magazine slide to the floor.
The pain she'd been holding at bay for months, years, roared to life, sucking her into the bleakest, loneliest place she'd ever been. For the first time, she couldn't even imagine crawling out of this pit.
She staggered to her feet, her vision blurred by tears, and reached for her car keys. She couldn't live like this anymore.
Copyright @ Kristin Hannah 2013
Marah.
The betrayal hurt so badly she couldn't breathe. She read the rest of the story and then let the magazine slide to the floor.
The pain she'd been holding at bay for months, years, roared to life, sucking her into the bleakest, loneliest place she'd ever been. For the first time, she couldn't even imagine crawling out of this pit.
She staggered to her feet, her vision blurred by tears, and reached for her car keys. She couldn't live like this anymore.
Copyright @ Kristin Hannah 2013
KRISTIN HANNAH is the New York Times bestselling author of twenty-one novels. A former lawyer turned writer, she is the mother of one son and lives with her husband in the Pacific Northwest and Hawaii. Visit her at www.kristinhannah.com or on Facebook.
Friday, January 24, 2014
New Release: The Execution: A Jeremy Fisk Novel by Dick Wolf
Ten days after the Mexican presidential election, twenty-three bodies are discovered beheaded on the border between the U.S. and Mexico. Leading the investigation for the Mexican intelligence agency is 35-year-old Cecilia Garza, a raven-haired beauty who’s notorious for her intensity and take-no-prisoners demeanor. Garza has learned the hard way that a forgiving nature can be an officer’s worst enemy.
Upon the bodies of the cartel’s victims she finds a carved symbol—a Hummingbird—and recognizes it as the mark of an assassin known only as Chuparosa, a man both feared and celebrated for his brutality. Even Garza, who has been pursuing him for years, knows almost nothing about him. Except that he’s now headed to New York.
Meanwhile, it is United Nations week in Manhattan and a grieving Jeremy Fisk is dealing with the loss of his partner and lover and the trial of the Swedish terrorist responsible for her death. There’s no time for grief, though, when you’re responsible for the safety and security of the world’s most powerful leaders. Complicating matters is the startling news of a mass murder in nearby Rockaway, where a dozen people have been found dead.
Fisk may not like Garza, the pushy new arrival from Mexico, but they’re going to need each other if they stand a chance of finding and stopping Chuparosa. Soon they both realize that there’s more to this threat than meets the eye—and Fisk will have to learn the hard way that justice is not always blind.
Filled with electrifying plot twists, high-wire drama, and even a little romance—THE EXECUTION is an adrenaline pumping story that could have been ripped from the headlines, yet is enticing and entertaining enough to keep readers wanting more. As the mastermind behind one of the most successful and prolific television brands of all time—NBC’s Law & Order—Dick Wolf uses his dynamic storytelling skills to captivate audiences with his Jeremy Fisk series.
Excerpt:
PROLOGUE
January 9
Upstate New York
Half a mile from the Canadian border,
somewhere west of Lake Champlain
The explosive noise of the guns had set off a chain reaction, sheets of wet snow dropping from the limbs of the pine trees surrounding Jeremy Fisk. Even after the gunfire stopped, Fisk could hear limbs snapping, snow thudding to earth, a circular cataract expanding, fading away from him like ripples in a frigid pond.
And then the endless forest . . . went silent.
My God, thought Fisk. They’re all dead.
Ten minutes earlier
The Swedes were late. Maybe they weren’t even coming.
Detective Jeremy Fisk of the NYPD Intelligence Division hated upstate New York. Hated the whole idea of it. Even though he had lived all over the world during his childhood, he had spent most of his adult life in New York City and had the passion of the convert for his adopted home. And as a confirmed New Yorker, he despised upstate on principle. Upstate was hillbillies and trailer parks and suicidal deer that plunged heedlessly into the headlights of your car, forcing you to swerve into the nearest ditch. Upstate was country living. Upstate was wilderness.
People who didn’t live in New York thought the entire state was paved from one end to the other. Far from it. In fact, the northern part of the state was as rural as Indiana or Kentucky. And right here, where Fisk and the feds were sitting, there weren’t even hillbillies or trailer parks or deranged deer. Nothing but trees. Trees and snow. Trees and snow and four citified cops waiting to arrest a couple of Swedes sneaking over the border from Canada.
Fisk sat in the backseat of the unmarked Jeep, snow sifting down in heavy waves like shoals of tiny gray fish. The dirt road, now six inches deep in snow, was one of dozens of logging paths, unofficial border crossings that wormed back and forth like scars through the seemingly endless forest between the Saint Lawrence and Lake Champlain.
“They’re not gonna show, Fisk.” The driver of the car was an ICE agent by the name of Ralph Carver. “I guarantee you, those Swedish sons of bitches are sitting in a nice warm room at some Best Western in Montreal watching cable porn.”
A DEA agent, Ari Schaefer, sat to Carver’s right. FBI assistant Special Agent in Charge Mary Rose Palestrina sat in the backseat with Fisk, an empty Thermos and Fisk’s holstered Glock between them.
It was the usual federal alphabet soup of agencies who didn’t like or trust each other—the perfect recipe for a law enforcement disaster.
“That’s assuming these jokers aren’t just a figment of Fisk’s imagination,” the DEA agent, Schaefer, added.
The feds didn’t believe that the NYPD was capable of scooping them on a solid international terrorism lead, so they’d been baiting him relentlessly for four hours. Thus far he’d managed to resist the urge to tell them to kiss off. It was his source, his information—his case if you got right down to it—but the mandate across law enforcement agencies was to cooperate, to share, if only to show the media and informed citizens that fighting terror was a team sport. It was Fisk’s show, it was Intel’s interdiction, but still ASAC Palestrina acted like she was running the show. They tried to treat Fisk like a guest at his own party.
“I mean, look at this crap,” Carver said. “What kind of idiot would go out on a day like this?” He was running the wipers nonstop, the heater blowing full blast. They could see okay out the front window, but the side windows were starting to get choked with snow, obscuring their view of the road down which the Swedes would be approaching. The car was pulled off the shoulder slantwise, so their best view of the road was from the side windows.
“Goddammit,” said the DEA guy. “I have no visual. Whose turn is it?”
“Mine,” said Fisk. It wasn’t, but he was tired of being cooped up in the car. He suspected it was the egos clouding up the windows as much as their breath. Carver handed him the fragile pink plastic windshield scraper that was their only defense against the heavy white blanket, and Fisk pushed open the door and climbed outside.
The door closed and the silence was a balm. He stood still, exhaling a plume of thick carbon dioxide, refreshed by the cold. The temperature was hovering just below freezing. Heavy, wet snow had formed a crust of ice over every surface of the car, and Fisk began hacking away at the windows.
Fisk was starting to worry. Two suspects were supposed to be making the run across the border from Canada into the States—Swedish Muslim militants smuggling radioactive isotopes for an explosive they planned to detonate in New York City sometime in the next three weeks. If anybody had told him six months ago that there was such a thing as a Swedish Muslim militant, he would have laughed.
But nobody was laughing now, not after Magnus Jenssen had come within an eyelash of blowing up President Obama at Ground Zero last year. Fisk himself had personally stopped the bomber. Now two more members of the same cell in Sweden, undeterred by their comrade’s lack of success—and, in fact, motivated by his capture and pending trial—were on their way into the States carrying about half a gram of a highly toxic, highly radioactive isotope of the element polonium-210.
Half a gram didn’t sound like much. But one ten-thousandth of a gram was enough to kill a human being.
The original plan for the takedown had included six members of the FBI’s elite Hostage Rescue Team tactical unit, an Intel drone, a Border Patrol helicopter, and a team of ICE agents. But the HRT unit’s van had encountered one of the aforementioned suicidal deer on the way up north, causing the driver to swerve and the van to slide off the road, where it overturned, putting one of the team members in the hospital with a dislocated shoulder and ending any chance of the HRT team participating in the bust. The helicopter full of ICE agents had to abort due to the miserable visibility, and the drone was grounded, according to the civilian contractor, “due to suboptimal control surface functionality,” which was jargon for “remote control airplanes can’t fly in snow.”
So now it was down to the four people in the Jeep. On the positive front, the DEA guy had showed them the trunk guns he had requisitioned for the takedown: an AR-15 and a Remington 870 tricked out with so many lasers and flashlights and optical gizmos that it looked like something out of a science fiction movie. If things really went south, he’d said magnanimously, Fisk could grab the shotgun. “The AR’s mine, though, bro,” he’d added. “Nobody touches my AR. She’s my sweetness.” He’d picked up the carbine and dry-humped it comically. “Aren’t you, baby? Aren’t you? Huh? Yeah, talk to Daddy, you sweet little bitch.”
This was the quality of agent they had dispatched to the Canadian border with Fisk.
After a minute of chopping away at the snow, the cheap pink snow scraper snapped in half, slicing Fisk’s little finger. Fisk cursed and threw the broken scraper on the ground, then stared at the pieces, breathing hard. He would have traded half the gizmos in the trunk for one long-handled ice scraper.
For a moment Fisk vibrated with frustration. The extraordinary silence enveloped him, and he invited it in, hoping for some calming, some perspective. He stood motionless and just listened.
No motor noises coming from the direction of Canada. No voices. No nothing.
It occurred to him that he had never been anywhere quite this silent. Not once in his life. It wasn’t just the remoteness of the place. It was the snow itself. It acted like the acoustical baffling in a recording studio, sucking up every scrap of sound in the universe. For a cosmopolitan guy like Fisk, it felt more than a little eerie. It felt like that part in a movie when the sound track drops out . . . when you know something big is about to happen.
But there was something about it that was beautiful, too. The sun was going down and the entire landscape had faded into a curtain of soft gray: a blanket of cold, clean fleece. He could see only a short distance in any direction. It was difficult to even judge just how far he could see. Fifteen yards? Thirty? He’d heard of whiteout blizzards where you couldn’t see a car length in front of yourself. So this wasn’t that bad.
But still.
It was no kind of day, he reflected, to be taking down bad guys.
Bank robbers love snowy days. Fisk remembered from his days as a rank-and-file NYPD cop, every snowstorm meant at least a half-dozen note jobs. Because the perp could walk into the bank wearing a ski mask or ski goggles without drawing undue attention, and once the alarm was hit the police response time was easily four times the norm. He remembered fondly the brilliant spray of orange against a pure white canvas of fallen snow in Murray Hill, from a dye pack that exploded: bank crime deterrence as public art.
The windows were still coated with icy snow. Fisk dug the broken pink stub of the plastic scraper back out of the snow. The end of the scraper had broken off into a knife-sharp point. It had sliced his finger pretty nicely, cutting right through his leather glove. Fat drops of blood fell one by one into the virgin snow. He made a fist to allow his ruined glove to soak up the blood, and stood there, absorbed by the silence.
He realized that he didn’t really want to get back in the car. A bunch of alpha personalities trying to top the others with stories of how tough they were, what great cops they were, how they’d been the best guy on their football team in high school, the toughest guy in their platoon in the army. Blah blah blah blah blah. That stuff got real old, real fast. And the FBI agent, Mary Rose, the fastest sprinter at Fordham and the top shooter in her class at Quantico: she was the worst one of all.
Fisk checked his watch. Theoretically the pair of Swedes should have been here more than half an hour ago. Maybe they just weren’t coming. Waiting out the storm. Like reasonable people.
As he stood there stamping his feet in the cold, he felt pressure against his bladder. Another good reason to kill a few more minutes outside the car. He cocked his head and listened. No car engines, no sinister Volvo full of terrorists crunching down the road . . .
For a moment he considered the effect of warm urine on the ice-crusted windows. Kill two birds with one stone. He decided he wasn’t that stir crazy yet. He hadn’t cleared the windows on the other side of the car, but with the wipers going, they could still see out the front of the Jeep. And it would only take him a minute.
As he walked out into the snow, he was surprised at what a struggle it was to move. He felt ridiculous and awkward, high-kneeing his way through the drifts. But it was better than trying to piss in a Poland Spring bottle with Special Agent in Charge Mary Rose Palestrina sitting next to him bragging about her marksmanship.
The walking was slow, the snow forming around each deep footstep, gripping his boot. The high-stepping felt ridiculous, and he made a pledge to no longer make fun of people who wear snowshoes.
The trees stood brown and black just beyond the curtain of snow falling in front of him. He looked back once, the silver Jeep barely visible. He might have had trouble finding his way back if not for the stark red dots of blood he had left in the snow like a bread-crumb trail.
He reached the first trees and, after laying the broken ice scraper on the surface of the snowfall, made quick work of his belt and zipper. Afterward, zipping up, he felt better, determined to shake off the stasis of the stakeout and power through this job to the next. He looked at his finger, the cut starting to clot in the cold, and was stooping to retrieve the broken ice scraper when the gunshots ripped through the silence.
Fisk instinctively reached for his Glock. Of course it wasn’t there. It was tucked away in the backseat of the silver Jeep some fifty yards away.
He felt a blinding surge of emotion—anger and self-recrimination and fear. Then more shots followed—a terrifying number of them, a fusillade of automatic weapons, burst after burst in efficient succession.
The shooting was accompanied by metallic thuds and the sound of shattering glass.
He had just started to run back when the sudden cascade of snow fell upon him, descending from the treetops, knocking more snow loose as it plunged to the ground with a hiss and a wet, inevitable thud. Fisk was half buried, and then more limbs cracked above and a second load of snow dropped, a chain reaction spreading all around him.
He dug himself out with his gloved hands. The top layer was loose, but the bottom was already compressed, and he chopped at it with the scraper, almost losing a boot as he pulled out his left leg. He picked up a jagged pine branch near him and charged out of the tree cover—into white blindness.
He knew he was looking in the right direction, but no silver Jeep. No noise either, nothing over his own rapid breaths: no gunshots, no screaming.
How many had he heard? Thirty? Forty? Fewer than ten seconds in duration, but the intensity had been shattering.
He was moving forward. Stumbling through the deep snow, assuming the worst.
It was an ambush. Had to be. Somehow the Swedes had caught the feds flat-footed, comparing war stories instead of watching for trouble.
He looked for his own footprints, already smoothing over under fresh snowfall. He saw a drop of blood, from his own finger, and knew he was headed in the right direction.
Then another controlled burst of gunfire. Fisk stopped and froze, listening. The sound was so crisp and near, everything seeming dislocated, eaten up quickly by the swirling snow.
Were those thumps behind him? Another small clump of snow dropped from the trees. He looked back at the dim black trunks. Then back in front of him.
Two figures. Barely visible. Slashes of color—black and brown—moving in the whiteness. Maybe a scarf, a cap . . . a weapon.
They were shooting at him now. They had seen his footprints leading away. They were following his blood trail. Their first burst had missed, two rounds thudding in the tree trunks behind him.
Fisk turned fast. He was vulnerable out in the open. Only distance would obscure him. He tossed the branch and tore back toward the trees, waiting for the next burst of gunfire.
It came just as he bladed himself behind the first tree. He looked back, unable to see them for the moment. Focus, dammit! He hadn’t heard a car motor, or the crunching of tires. The only thing that made sense was that they had left their vehicle somewhere and come on foot.
The silence was excruciating. Because it told him that, regarding the feds, the fight was over. If they were still alive, he’d hear something, yelling, anything.
The three people he had just been sitting in the car with, swapping boasts and drinking coffee—Ari
Schaefer, Ralph Carver, and Mary Rose Palestrina—they were all dead. Of this much he was certain.
He had three brother law enforcement officers down.
And with this realization, his momentary confusion and self-disgust evaporated, replaced by a wave of cold, hard anger.
He glanced down at his hand. He was still clutching the sharp, broken stub of pink ice scraper. It wasn’t exactly a Glock 17. But it was something.
A burst of nausea. That’s how quickly the adrenaline surged. These two guys—if there were only two—were out to finish the job now.
Voices. Singsong, at least to Fisk’s ears. Fisk spoke Arabic like a native, fluent Spanish, high school French, a little German, a little Thai, some Bahasa Indonesia. His father had been a diplomat; Fisk had traveled a lot as a kid and had a natural ear for languages.
But he didn’t speak Swedish. He couldn’t tell what they were saying.
One man’s voice, low and terse. Another responding. They sounded near, almost on the other side of the tree . . . but it was a trick of the snow. They couldn’t see Fisk if he couldn’t see them.
They sounded like soldiers to him: calm, self-possessed. He could tell from the sound of the ambush that these two Swedes had military training, as opposed to being amateur goofballs who’d taken up jihad because they were bored with their jobs in IT.
His phone was in the car, too, charging. But it didn’t matter. Zero cellular service here in the ass end of nowhere. Mary Rose had a satellite phone, didn’t she? He needed that phone as much as he needed a handgun.
He saw the colors reappear, vague against the white. Under even sparse tree cover, their visibility would improve dramatically. Fisk tightened his grip on the broken plastic window scraper and took off running through the trees. The snow cover was more shallow here, around a foot deep. He expected gun reports at his back yet heard none.
He felt something expanding inside him, something he had experienced a half-dozen times before in his life but had never been able to put a word to. The threat of imminent death has a way of uniquely focusing the mind.
THE EXECUTION: A Jeremy Fisk Novel By Dick Wolf
William Morrow an Imprint of HarperCollins Publishers
On-Sale: January 7, 2014
ISBN: 9780062068491; E-Book ISBN: 9780062064851
Price: $27.99
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